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À VOS DÉSIRS

Gwendal

Prog Folk


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Gwendal À vos désirs album cover
2.17 | 4 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1977

Songs / Tracks Listing

1. Rainy Day (6:34)
2. Cam'ye Ower Frae France (2:28)
3. The Walls of Liscarroll (3:57)
4. Butterfly (2:25)
5. Mon Joly Scooter (17:23) :
- a. Intro (1:58)
- b. Promenade (3:20)
- c. Welcher Tanz Wascha Mesa (1:40)
- d. The Pleasures of Home (2:00)
- e. High Could Cat (5:15)
- f. Mille Lards Et Six Soles D'eaux (2:05)
- g. Bop Celtique (1:05)

Total Time 32:47

Line-up / Musicians

- Youenn Le Berre / flute, saxophone, bombard
- Bruno Barré / violin
- Jean-Marie Renard / guitar
- Roger Schaub / bass
- Ricky Caust / guitar, mandolin
- Arnaud Rogers / drums

Releases information

LP Pathé / 2C 066 14403
Valentim de Carvalho - 8E 072 14403
CBS - S 82799
CD Chrysalis - 07243 8381802 0
Chrysalis - CDP 8381802
Odeon Label Group - 855 652 2

Sometimes known as "Rainy Day"

Thanks to kenethlevine for the addition
and to projeKct for the last updates
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GWENDAL À vos désirs ratings distribution


2.17
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(25%)
25%
Good, but non-essential (50%)
50%
Collectors/fans only (25%)
25%
Poor. Only for completionists (0%)
0%

GWENDAL À vos désirs reviews


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Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team
2 stars It was past the halfway point of the decade of the mandatory side long suite and still nothing of the sort from GWENDAL. This must have precipitated quite the discussion amongst the band members, who clearly didn't have anything in the can to support an "epic or bust" doctrine. But hey, with most of these samey jigs and reels, and with maybe a bit less on the jazz front, no listener would be able to tell if we started off with something a bit more creative and then interlaced an odd half dozen rejects from the first 2 albums, giving it an overarching grandiose name like "Mon Joly Scooter", which segues flawlessly into my other point: virtually none of the shorter tracks, whether within or without this unambiguously unambitious concoction, even raises its shackles let alone snips them. Thankfully a few re-interpretations of standards like "Cam Ye all Frae France" and "Butterfly" are welcome even if they would have been little more than reinforced padding on the group's previous album, from which "A vos desirs" represents a couple of missed steps down the evolutionary ladder.

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