DEN ZA DEN

This is a very good fusion album, the only DEN ZA DEN ever recorded.

Due to total neglect by the public they soon disbanded after its release. Music style and instrumental line up of this album are quite similar to that of LEB I SOL's early career. "Den za den" almost sounds like a "lost" fourth LEB I SOL album. In 1980 LEB I SOL dropped keyboardist and continued as standard rock trio. If they recorded another pure fusion album after the acclaimed "Rucni rad" from 1979, it may have sounded like "Den za den".

Speculations aside, this is a worthy album of furious tempo. None of the tracks is longer than 5 minutes and they are all instrumental. Arian Dema's guitar work is powerful, fast and crazy. Still, sometimes seems to have too excessive soloing technique at the cost of melodies. He seems to be influenced by John McLaughlin. The sci-fi "crucifiction" cover design is one of the memorables in exYU.

Although "Den za den" more than often sounds like a LEB I SOL copycat, it is quite a rewarding listen and if you are a fusion fan you should not miss it.

A Leb i Sol offshoot?

Another record balancing between jazz-rock and Balkan folk. Yes, if you think it sounds like LEB I SOL, you're right. It does sound like that. At the moments if this was an offshoot of the band, with aliases in the line-up. As a line of comparison it's like listening to THINK FLOYD. I don't have a problem with that. If someone is stealing the style, that's fine, as long as the songs themselves aren't stolen.

There are a few things distancing this record from the LEB I SOL ones (and distancing even more from SMAK another jazz-rock/folk combo): it's more jazzy. The playing is tight, dense, perhaps too homogenic for my taste, I would rather prefer a bit of collage and a few silent moments here and there.

It's closer to, let's say, WEATHER REPORT, and therefore closer to contemporary fusion/Balkan folk scene (VASIL HADZIMANOV). And DEN ZA DEN sound more like a combo then a group of individuals; all the instruments are bold, piano is even more daring (in jazz context), but the palette of the soundscapes is somewhat limited. Please note that Limit here still represents a huge area for improvisations.

Maybe, maybe, maybe there was no intention to sound Leb i Sol-like, perhaps it was sort of a coincidence. Is this too streched and naive? Well, Leb i Sol hadn't started the whole thing, SMAK did, if I'm not much mistaken. Perhaps there was a fusion-y trend in the mid-late seventies that gather more names under its blanked while many remained obscure. Such a thing won't be unusal in contemporary Macedonian musical scene - the bands gather around Makedonska Streljba folk-goth-punk movement (late 80's/early 90's) or more recent wave of world/fusion ensembles (mid-late 90's with EZGIJA; OKTOEHOS etc.). From that point of view, DEN ZA DEN have a clear place in Macedonian rock culture, and a good place at that. Even if we force the copycatting argument, Den Za Den sounds like some of BETTER Leb i Sol albums - it was issued just when thing started watering down. With or without any of the contexts, this is a very good record.

Short-lived Fusion band from Skopje, formed in 1978 and featuring ex-Leb i sol's drummer Dimitar Cokorovski.Original crew comprised also of Vladimir Jankulovski on bass, Dragisa Soldatovic on keyboards/piano and Sinisa Stojanovski on guitar, the later was very soon replaced by Arian Dema.The band recorded one and only self-titled work at Studio Akademik in Ljubljana, released in 1980 on the Slovenian RTV label.

Did Cocorovski bring some of LEB I SOL's energy into this fresh start?Because Den Za Den's high-octane gears, extreme interplays and furious grooves are so reminiscent of the compatriot Jazz-Fusion legends.The band always plays in uptempo, featuring very strong melodies, impressive breaks and fiery rhythms and solos, while their music contains some nice tunes propably from Balkan and Latin tradition.Cocorovski is a very skilled drummer, no doubt about this, but his colleagues are also excellent.Plenty of electric piano and synth flashes, technical guitar parts and intelligent bass plays complete a band with a passionate, instrumental sound, heading only for the mystified.It seems like they're playing a thousand notes in a single minute and all pieces are very dense, full of both dramatic and energetic moods, sounding a bit like BRAND X and GUALDAQUIVIR, never forgetting to throw in some more melodious ideas, but mostly led by their love for dynamic, solid and intricate jazzy patterns.And there are stll some progressive flashes within the structures, where melody and atmosphere meet technique and virtuosity.

Den Za Den unfortunately disbanded in 1980.Soldatovic later played with the underground band Paskvalija, but he sadly passed away in 2008.

LEB I SOL-linked fast and furious Jazz Fusion with fascinating interactions and solos but some more melodic and down-to-earth passages as well.One of the best of the style and highly recommended.

I'll see if I can get this review in before the power goes out again. DEN ZA DEN were a Jazz/Fusion band out of Yugoslavia releasing this one album back in 1980. I guess I'm the one dissenting voice here as this just hasn't clicked with me surprisingly, being that I'm a huge fan of of Jazz/Fusion. The cover art is insane, I really like it. This is a high energy band like MAHAVISHNU ORCHESTRA and ICEBERG to give a couple of examples but to me there's no comparison when it comes to the compositions and musicians. Many rave about how great these guys play but I feel they are a step down from the two bands I just mentioned. The drummer is relentless but man Cobham eats him up, in fact the drummer with DEN ZA DEN gets on my nerves after a while. He did play with LEB I SOL but left before ever recording with them and the guy who replaced him is better in my opinion.

"Svadba" is all over the place early on and fast paced. Impressive for sure, very intricate too. It settles down 3 minutes in with some upfront guitar but picks right back up as the guitar lights it up, not for long though. "Galeb" quickly becomes guitar, piano, bass and drums. It settles a minute in with piano, bass and sporadic drums. The guitar takes the lead after 2 minutes. "Ciganka" opens with drums before synths, guitar, piano and bass join in. Fast paced but I'm not into this. Piano to the fore after a minute then the guitar is back pretty much to the end.

"Zedj" opens with piano before the drums and more kick in. Again this is fast paced with those relentless drums, synths too. A much better sound with those synths after a minute. The guitar is shredding after 2 minutes. "Fata Morgana" is one of my favourites along with the closing track. This reminds me somewhat of "Meeting Of The Spirits" to start as we get some space and room to breathe for a change. That does change after a minute as the guitar solos over the bass and drums. Keys lead after 1 1/2 minutes and again high energy stuff takes over before 2 1/2 minutes. I love the first half of this one though.

"Coker Ritam" is a one minute drum solo. "A Bila Je Tako Draga" has laid back piano as the guitar and a laid back beat arrive. Synths before 1 1/2 minutes then it picks up some with the guitar leading. A nice change of pace here. "Letnja Ljubav" features the guitar and synths trading off over the bass and drums. "Vodopad" has the band just ripping it up before it settles into a groove with synths, drums and bass. The guitar comes in over top, piano too. Tons of energy here.

"Jutro I Noc" has some shimmering sounds as the piano, bass then guitar come and go. It picks up quickly to an uptempo sound but it is all over the place. I like the relaxed piano led section after 2 minutes though. "Tako Treba" is my favourite song on here and the closer. And what a closer it is! The contrasts between the high energy and more laid back sections is what makes this so good.

I didn't even like this early on in my listening of it but it did grow on me, just not nearly enough to want to venture into 4 star territory. 3 cold stars.