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GRIN

Coroner

Tech/Extreme Prog Metal


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Coroner Grin album cover
3.52 | 12 ratings | 2 reviews | 17% 5 stars

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Studio Album, released in 1993

Songs / Tracks Listing

1. Dream Path (1:11)
2. The Lethargic Age (4:17)
3. Internal Conflicts (6:19)
4. Caveat (To the Coming) (6:39)
5. Serpent Moves (7:38)
6. Status: Still Thinking (6:14)
7. Theme for Silence (1:32)
8. Paralized, Mesmerized (8:07)
9. Grin (Nails Hurt) (7:22)
10. Host (8:23)

Total Time 57:42

Line-up / Musicians

- Ron Broder / vocals, bass
- Tommy Vetterli / guitars
- Marky Edelmann / drums

Releases information

Produced by Coroner.
Engineered by Gerhard Wofle.
Recorded at Greenwood Studios, Switzerland, Feb-Apr 1993.
Mixed by Tom Morris at Morrisound Recording, Tampa, FL.

Noise Records
September 10, 1993

Thanks to Cristi for the addition
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CORONER Grin ratings distribution


3.52
(12 ratings)
Essential: a masterpiece of progressive rock music(17%)
17%
Excellent addition to any prog rock music collection(33%)
33%
Good, but non-essential (42%)
42%
Collectors/fans only (8%)
8%
Poor. Only for completionists (0%)
0%

CORONER Grin reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars "Grin" is the 5th full-length studio album by Swiss thrash metal act Coroner. The album was released through Noise Records in September 1993. Itīs the successor to "Mental Vortex" from 1991. "Grin" is generally an album which divide the waters, because Coroner changed their musical direction quite a bit on this album. The signs were already there on "Mental Vortex (1991)" though, as that album introduced a more cold and clinical sound, as opposed to the more organic sounding first three albums.

"Grin" further explores the colder and more clinical sounding thrash metal style of the predecessor, but adds a repetitive industrial element and generally features less focus on technical thrash metal playing and a little more focus on groove (although Coroner are of course as well playing as ever, and there are still quite a few technical details to be found on the album). "Grin" features a bleak atmosphere, and the Tom Morris produced, Morrisound Studios recorded production, suits the material perfectly. The sound is a bit dry, but itīs both powerful and detailed.

The album opens with the short intro "Dream Path" and then "The Lethargic Age", which to my ears is a pretty bad choice for a first track. "The Lethargic Age" is one of the least powerful and least interesting songs on the album, but once "Internal Conflicts" kicks in, things begin to look a little brighter. The rest of the tracks on the album are a bit up and down in quality and catchiness, but "Grin" is generally a good quality release by Coroner. Other than "Internal Conflicts", Iīd mention tracks like "Serpent Moves" and "Paralized, Mesmerized" as some of the standout tracks on the album. The tracks are generally pretty long, most of them ranging from 6 to 8 minutes of playing time, but the new repetitive element of the bandīs sound makes this necessary.

As always the musicianship is on a high level. Marky Edelmann is a skilled drummer and he plays some pretty interesting rhythms on the album. Lead vocalist/bassist Ron Broder occasionally sounds a bit more restrained when singing on "Grin", than his more raw vocals on the preceding releases, but his vocals are more powerful on some tracks than on others. Guitarist Tommy Vetterli plays some creative thrash/heavy metal riffs and some absolutely brilliant guitar solos.

So upon conclusion "Grin" isnīt as different sounding from the preceding part of the bandīs discography as many fans make it out to be. The overall atmosphere is a bit darker/bleaker and there is an emphasis on groove here not heard on previous releases, but at the end of the day this is still unmistakably the sound of Coroner. A 3.5 - 4 star (75%) rating is deserved.

(Originally posted on Metal Music Archives)

Review by Warthur
PROG REVIEWER
3 stars On Coroner's final album, Grin, the band's perchant for the experimental is given free reign for one last time. The raw aggression of their early albums seems to be questioned here by the technically adept and rather cold approach they take. In fact, the regular use of spoken word samples and the early 1990s production aesthetic keeps making me think they're about to take the plunge and go full-on industrial metal, though they never quite do that - in fact, they never quite focus their approach sufficiently to clearly suggest a direction they could go in after this, which I guess might be part of the reason why they broke up.

I'd suggest making this the last Coroner album you try out, because it's eclectic to the point where it's doubtful you'll dig the entire album from beginning to end, but it's worth it to see them dabbling in all the different directions they might have taken the project had they resolved to pursue one of them above the others.

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