BLINK

First album by an Osana-Cervello offshoot and a much more worthy affair than the horrible Uno experience, even if only the two Osana members will stay beyond this first album. And unlike what you'd expect, Nova developed a wild jazz-rock in this opus. Formed in London, under Pete Townsend (Who?) and recorded in his private studios (Eel Pie), Nova presented as a quintet (standard prog quartet plus Elio D'Ana on sax and flute) and gave us plenty of excellent mid-70's fusion in their debut, sung in English (quite well) with lyrics provided by an outside Sedgwick. With an average artwork evoking a slow motion blink (with a changing iris color in the third photo), the album is probably what comes best from Italy in this JR/F style, along with Perigeo and some Area.

Six tracks all divided into two parts all giving high-energy and enthralling jazz-rock, they can be associated with the future Brand X (many members will guest in the following three albums), but also with the second stable Nucleus era (the Sutton years) and even a bit of the first Colosseum (partly due to the vocals). Obviously well coached by the production team, the four sung tracks are in very good English (all things considered), but really, this is a minor aspect as all five musos are dishing out impressive 200 MPH fusion with impressive technical abilities. But I would not actually make you believe they reach Mahavishnu or RTF's technical and virtuosic level, but they match at least the first in feeling.

Easily their better albums (at least in proghead terms) of their four, the odd thing is that with further albums as Brand X and other all-star guests will appear on themù, they will become rockier with each new album. Excellent album, almost essential, but definitely earning its fourth star.

NOVA should be a band I enjoy, because of their style of music and the gifted performers but...they do not click with me. It just seems like there's something on each album that turns me off. This their debut would be four stars if it was all-instrumental but it's not, and yes the vocals are a big negative for me. Why do Italian bands want to sing in English ? Well in this case it wouldn't matter I just don't like his vocal style.

"Tailor Made" opens with strummed guitar then it kicks in quickly with a full sound including sax then vocals. A guitar outburst 1 1/2 minutes in. I don't like this track at all mainly because of the vocals. "Something Inside Keeps You Down" opens with mournful sax until almost spoken vocals arrive before 2 minutes. Drums and bass a minute later.This is better. It's pretty intense 5 minutes in. Great sound ! "Nova" opens with guitar as drums, sax and a full sound join in.The guitar is back out front 2 minutes in.

"Used To Be Easy" is mellow with flute to start along with cymbals and guitar.Vocals before a minute followed by sax. It picks up 2 1/2 minutes in. I really like the drumming here but not the vocals. Big finish. "Toy" is my favourite.This is a funky number with sax blasting over top.The guitar replaces the sax before 3 minutes. An excellent instrumental. "Stroll On" kicks in before a minute. The drumming is killer. Vocals 1 1/2 minutes in.The guitar solo after 3 minutes is incredible.The man can play with speed if he wants to. Vocals are back 4 1/2 minutes in. Guitar is back 6 1/2 minutes in this time with a laid back solo. Sax ends it.

A good album no doubt about it but not worth 4 stars in my book thanks to the vocals.

Napolitano bands Osanna and Cervello unite (reuniting brothers Danilo and Corrado Rustici) for some groovin' jazzy blues-rock fusion.

1. "Tailor Made - Part 1 & Part 2 (5:09) what starts out sounding rather funky turns into driving blues-rock when the singing starts, but in the instrumental intervals between vocal passages it's highly-charged Jazz-Rock Fusion! Saxophonist Elio D'Anna is on fire but so is that rhythm section! What a temperamental song from these headstrong lads! (9.25/10)

2. "Something Inside Keeps You Down - Part 1 & Part 2 (6:11) opens as a kind of meandering, wandering "warm-up" or "practice" session turns into something quite else when Corrado Rustici enters singing in a high almost-falsetto voice. After two minutes, the singing shuts down and the band folds into a heavy rock motif that is anchored by some awesome deep bass playing and amazing drumming from Franco Lo Previte. Heavy and brooding but not bombastic or pedantic, this is very solid instrumental (9.25/10)

3. "Nova - Part 1 & Part 2 (7:10) opening with some funky rhythm guitar, Franco enters with some stunning drum work while everybody else settles into the rock 'n' roll groove. Elio takes the lead with some awesome sax screaming--on multiple instruments--while the guitars work out from beneath who's the lead and who's the rhythm. The brothers duke it out with Danilo shrieking out his more blues-anchored style before giving it up to Luciano Milanese's bass by way of short bursts from Elio and little brother Corrado with his fire-breathing machine gun. Elio gets another solo sixth minute which allows us to focus more on the different playing styles of the Rustici brothers: Danilo being all blues-orented while Corrado is so much more Mahavishnu--which is especially demonstrated when he finally lets loose in the final 30 seconds with some of his fire and brimstone. (13.5/15)

4. "Used to Be Easy - Part 1 & Part 2 (5:12) picked and strummed electricguitar chords over which Corrado starts singing in his higher-pitched vibrato voice that I'm so familiar with from my love of the band's Vimana album. The music beneath is sounds quite firmly founded in blues-rock, though you can tell from both his vocal and guitar that Corrado is very much interested in going a different direction (Elio, too); as a matter of fact, the rhythm section of Franco, Luciano, and Danilo all feel so firmly rooted in the blues-rock forms that this is the first time I'm conscious of the rift that must have led to their departure from the band. (8.66667/10)

5. "Toy - Part 1 & Part 2 (4:21) nice semi-funky rock with some jazzy elements coming from the rhythm guitar, lead sax, and drums (a bit)--the rest is more instrumental jam-band rock. By the time they get to the third and fourth minute the infectious groove has gotten so inside your being that the solos become quite enjoyable. I can't believe how 180 my view of this song became over the course of its four minutes! (9/10)

6. "Stroll On - Part 1 & Part 2 (10:33) hard-drivin', blistering-paced, near-metal blues rock with rather coarse and aggressive vocals from Corrado while the band races forward for the first six-and-a-half minutes, Luciano Milanese sounds very much like he's trying to match the speed and style of Percy Jones. Then they slow down a bit, allowing for a bit of space within which the various instrumentalists are able to clearly, patiently inject their solo--though the highlight of the entire song is Elio and Corrado's paired melody lines during the song's final two minutes; the two are in sync! (17.75/20)

Total Time 38:36

Interesting to contrast the two guitar styles of brothers Danilo and Corrado: the former is far more blues-rock oriented with lots of note bending and favoring a much more "dirty" sound while the latter is clearly a student/emulator of the technical wizardry of Mahavishnu John McLaughlin. At times Corrado's vocals sound so much like David Bowie! As accomplished as the musicians are, the sound engineering mix is not very enjoyable: the bass and drums are mixed farther forward than any of the other tracks! And Luciano Milanese is no Percy Jones (future member/contributor to the band) but he and drummer Franco Lo Previte are quite a force as a rhythm team. Though the music is often far too close to standard blues rock in both sound palette and style, I have come away very impressed with the power and presence of this album. I think the power of the music even helped me to cast aside my initial myopic orientation to only being open to Jazz-Rock Fusion. This is not Jazz-Rock Fusion. Still, it is my opinion, that the band's core trio's next move--to move to London, England, where they will use studio musicians in supporting rolls to record their next albums--is the best move they could have made.

B+/4.5 stars; a near-masterpiece of hard-driving technically-awesome jazz-infused bluesy rock 'n' roll music.