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CONTAMINAZIONE 2.0

Il Rovescio Della Medaglia

Rock Progressivo Italiano


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Il Rovescio Della Medaglia Contaminazione 2.0 album cover
4.22 | 17 ratings | 1 reviews | 59% 5 stars

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Live, released in 2020

Songs / Tracks Listing

1. Absent For This Consumed World (1:37)
2. Ora Non Ricordo Pił (3:46)
3. Il Suono Del Silenzio (3:43)
4. Mi Sono Svegliato E ... Ho Chiuso Gli Occhi (7:11)
5. Lei Sei Tu: Lei (2:16)
6. La Mia Musica (4:30)
7. Johann (5:45)
8. Scotland Machine (1:07)
9. Cella 503 (1:49)
10. Contaminazione 1760 (5:47)
11. Alzo Un Muro Elettrico (5:16)
12. Sweet Suite (3:17)
13. La Grande Fuga (6:47)
14. Il Nulla (1:19) *
15. La Creazione (7:31) *
16. L'Ammonimento (5:48) *

Total Time 67:29

* CD bonus tracks

Line-up / Musicians

- Enzo Vita / guitar
- Andrea Castelli / bass
- Nicola Costanti / vocals, keyboards
- Carmelo Junior Arena / keyboards, backing vocals
- Pino Polistina / guitar

With:
- Vittorio De Scalzi / flute (11)

Releases information

LP/CD Jolly Roger Records, Italy
release date 20 November 2020

Thanks to rivertree for the addition
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IL ROVESCIO DELLA MEDAGLIA Contaminazione 2.0 ratings distribution


4.22
(17 ratings)
Essential: a masterpiece of progressive rock music(59%)
59%
Excellent addition to any prog rock music collection(29%)
29%
Good, but non-essential (12%)
12%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

IL ROVESCIO DELLA MEDAGLIA Contaminazione 2.0 reviews


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Collaborators/Experts Reviews

Review by andrea
PROG REVIEWER
4 stars "Contaminazione 2.0" is a live album by Il Rovescio della Medaglia that was released in 2020 on the independent Jolly Roger Records label. It captures a very particular performance of the band with a line up featuring Enzo Vita (guitar), Pino Polistina (guitar, backing vocals), Nicola Costanti (piano, keyboards, vocals), Carmelo J. Arena (synth, Hammond, vocals), Andrea Castelli (bass) and Andrea Bruni (drums). In fact, the album was recorded at Abbey of Saint Galgano in Chiusdino, Siena on September 11, 2018 with the help of a string quartet formed by Federico Galieni (violin), Francesco Gemo (violin), Emanuele Guadagni (viola) and Katie Bruni (cello) plus the special guests Vittorio De Scalzi (flute) and Marco Fusi (Scottish hornpipes). As you can guess from title and the art work by Carmelo J. Arena and Piera Arena, it's all centred on Il Rovescio della Medaglia's 1973 album composed with Maestro Luis Enriquez Bacalov, "Contaminazione"...

The location of the concert is surrounded by a magic aura. The Abbey of Saint Galgano was a Cistercian Monastery whose construction began in 1220 around the site of the former hermitage of the saint, in the valley of the river Merse, between the towns of Chiusdino and Monticiano, in the province of Siena, Tuscany. It's a place full of mysticism and spirituality, despite having been deconsecrated since 1789 (the first year of the French Revolution), and is related to the Arthurian cycle of the Sword in the Stone. In fact, nearby lies the hermitage of Monte Siepi where, according to legend, Saint Galgano retired to life as a hermit in 1170 and, as a symbol of peace, stuck his sword into the rock, where it is still today. The roofless walls of the Gothic style 13th-century Abbey church still stand and it's exactly inside those walls that the stage was set...

"Contaminazione", a concept album telling the story of a mad musician who think to be the heir of Bach, was conceived for rock group and orchestra and it's not easy to play it live. For this concert the band re-arranged and played the whole work without the orchestra and in a "rockier" but effective way, with amazing harmony vocals and the classical touch of the string quartet. The sound quality is perfect and all the musicians involved showcase great technique and passion. The result is astounding and, in my opinion, this live album should be considered a good complement to the original one...

As bonus tracks, on the Cd were included three other pieces taken from Il Rovescio della Medaglia's debut album, La bibbia, that were recorded on May 5, 2019 during a concert in Barberino Tavarnelle, near Florence.

On the whole, a great document of the band's vitality on stage.

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