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MUSIC FROM THE WERNER HERZOG FILMS

Popol Vuh

Krautrock


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Popol Vuh Music from the Werner Herzog Films album cover
4.07 | 10 ratings | 1 reviews | 50% 5 stars

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Boxset/Compilation, released in 1982

Songs / Tracks Listing

1. Engel Der Luft (Fitzcarraldo) (2:40)
2. Wehe Khorazin (Fitzcarraldo) (5:30)
3. Im Garten Der Gemeinschaft (Fitzcarraldo) (4:45)
4. ... Als Lebten Die Engel Auf Erden (Fitzcarraldo) (2:15)
5. Lacrime Di Rei (Aguirre) (6:15)
6. H?re, Der Du Wagst (Nosferatu) (1:45)
7. Br?der Des Schattens - S?hne Des Lichts (Nosferatu) (16:30)
8. Die Umkehr (Herz Aus Glas) (1:15)

Total Time: 40:55

Line-up / Musicians

- Florian Fricke / piano, vocals
- Daniel Fichelscher / guitar, percussions
- Conny Veit / guitar
- Renate Knaup / vocals
- Djong Yun / vocals
- Susan Goetting / English horn
- Bob Eliscu / oboe
- Al Gromer / sitar
- Choral Ensemble of the Bavarian State Opera, Munich

Releases information

LP ZYX Music 20.017 (Germany 1982)
LP Barclay BA-253 200.413 (France 1982)
LP PDU Pld A 7028 ( Italy 1982)
CD 'The Best Soundtracks From Werner Herzog Films' Bell BLR 84 710 (Germany 1991)

Thanks to ProgLucky for the addition
and to bonnek for the last updates
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POPOL VUH Music from the Werner Herzog Films ratings distribution


4.07
(10 ratings)
Essential: a masterpiece of progressive rock music(50%)
50%
Excellent addition to any prog rock music collection(20%)
20%
Good, but non-essential (30%)
30%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

POPOL VUH Music from the Werner Herzog Films reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Since 1972, Florian Fricke has been working with the director Werner Herzog, whose films acquired increased intensity thanks to Florian Fricke's musical trademark (peaceful, acoustic & electric dreamscapes with many "native", ethnic elements). Fricke and his band composed the sound-tracks to the films "Aguirre, der zorn gottes", "Herz aus glas", "Nosferatu", "Fitzcarraldo" and "Cobra Verde". The independent nature of his music has conceptually proved to be a great asset to Herzog's films, which have often a somnambulistic character. Consequently here is an other best of about the prolific collaboration with Werner Herzog. Knowing that all compositions are taken from different studio albums of Popol Vuh, it can also be a great compilation or an introduction to the band's career.

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