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NEPTUNES

Jerome Froese

Progressive Electronic


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Jerome Froese Neptunes album cover
3.91 | 3 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2005

Songs / Tracks Listing

1. Radio Pluto (7:30)
2. Friendship 7 (10:35)
3. The Fade from Death to Afterlife (4:32)
4. My Reality at 52 Degrees of Latitude (5:47)
5. Sky Girls (6:29)
6. Decoding with Celine (10:12)
7. Through the Moving Light (5:21)
8. A Room in the House Closed to the Public (6:33)
9. C8 H10 N4 O2 (re-stirred 2005) (7:34)
10. The Murder Mystery Dinner Train (6:56)
11. At Marianas Trench (5:17)
12. 40 Sublunary Seconds (0:40)

Total Time 77:26

Line-up / Musicians

- Jerome Froese / guitars, electronics, composer & producer

Releases information

Artwork: Monique Froese (photo)

CD Moonpop ‎- moon CD-702 (2005, Germany)

Digital album

Thanks to historian9 for the addition
and to projeKct for the last updates
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JEROME FROESE Neptunes ratings distribution


3.91
(3 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(67%)
67%
Good, but non-essential (0%)
0%
Collectors/fans only (33%)
33%
Poor. Only for completionists (0%)
0%

JEROME FROESE Neptunes reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by octopus-4
SPECIAL COLLABORATOR RIO/Avant/Zeuhl,Neo & Post/Math Teams
4 stars It sounds as it should: a sort of post 90s Tangerine Dream album, out of the soundtracks period and with more guitar respect to the albums recorded with daddy Edgar. While I'm writing I'm listening to "Decoding With Celine" which is a rock track. Not heavy, of course, but even if real drums disappeared from the Tangerine Dream world after Klaus Schulze, this drone is very well programmed and the absence of a physical drummer is not a problem.

A very good album, better than many Tangerine Dream albums, even many of those featuring Jerome Froese. The reason is probably to be found in the absence of Edgar Froese, who has of course influenced his son since his very young age, but leaving him the freedom of expressing himself out of the influence of the old Froese gives its fruits.

This is a fresh album, sometimes tendent to newage atmospheres, enjoyable not only as background music as many electronic albums are, but with consistent melodies, an accurate choice of sounds (the minimum you can expect from who became half of the Tangerine Dream), and most of all a good presence of guitars, also acoustics, 12 strings, and who knows what else.

There are two "longest" tracks, scoring more than 10 minutes. Apart of them the average track length is about half of that.

There's also space for some little hints of Kosmische Musik, an electronic choir in Mike Oldfield style, kinds of percussion, so a lot of things that makes it different from the TD output even without taking distances from the father's imprinting.

As I have written, better than many TD albums.

4 solid stars

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