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CARGO CULT

I Will Kill Chita

Post Rock/Math rock


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I Will Kill Chita Cargo Cult album cover
3.05 | 3 ratings | 1 reviews | 33% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2016

Songs / Tracks Listing

1. Survival Instruction (4:55)
2. Cho Blya!? (4:05)
3. Patris et Filii et Spiritus Sancti (3:36)
4. Keine Angst (5:46)

Total Time 18:22

Line-up / Musicians

- Nikita Samarin / drums
- Nick Samarin / guitars, keyboards
- Andrew Silin / keyboards
- Artem Litvakoskiy / bass, cello, samples
- Roman Karandaev / vocals
- Ramil Mulikov / trumpet, trombone

Releases information

Engineered and mixed by Nick Samarin
Mastered by Vladislav Ponomarenko
Design by Nikita Samarin

Released on December 1, 2016

Thanks to Dronich8 for the addition
and to projeKct for the last updates
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I WILL KILL CHITA Cargo Cult ratings distribution


3.05
(3 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (33%)
33%
Collectors/fans only (33%)
33%
Poor. Only for completionists (0%)
0%

I WILL KILL CHITA Cargo Cult reviews


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Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Prog Reviewer / Special Collaborator
3 stars Following on from their third album, 2015's 'Evil Bear Boris', IWKC again took a melodic shift with the 2016 4-track EP 'Cargo Cult'. By now the core band had dropped to a quartet of Nikita Samarin (drums), Nick Samarin (guitars, keyboards), Andrew Silin (keyboards) with Artem Litvakoskiy now adding bass to his cello duties. However, the additional instrumentation and high use of strings they had utilised previously had now fallen away and the only additional guests this time were singer Roman Karandaev (on one song) and Ramil Mulikov (trumpet, trombone). The band has moved away from their post rock and orchestral styles into something where 80's-style keyboards have a far more prominent role.

The bass is often the most important aspect, as we move into more experimental areas which also brings in elements of pop, and the result is something which does not have the gravitas or solemnity of their earlier releases. It feels way more lighthearted, almost as if it should not be taken seriously, and it is only closing tracks "Keine Angst" which shows some of the passion of what went before. Interesting, but certainly not at the same level as their earlier albums.

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