BAROKO V ČECH�CH

Psi Vojaci

•

Eclectic Prog

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3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1993

Songs / Tracks Listing

1 Slunce se boj� noci a měs�c je smrt dne 7:09
2 A tady zač�n� ten př�běh 2:17
3 Slunce vystoup� jen občas 2:14
4 Pane! Jak hlubok� je moje touha! 3:42
5 Dnes m� srdce skut� mrazem konečně pochopilo 0:58
6 Znamen� od tebe 2:04
7 Pes mne často prov�z� 2:08
8 A vystavujes mne nov� krut� zkousce 4:27
9 Poz�r se převalil 1:56
10 Probuzen� přislo jako odveta m�mu neklidu 4:02
11 Dnes jsem nevydrzel a povolil sv�mu hladu 4:02
12 Pokračuji v cestě 1:24
13 Ale co jsi udělal lesu 1:55
14 Pane! Vid�m jako bych hmatal světlo 2:03
15 Lez�m na z�dech a nemohu se pohnout 2:41
16 Zase přesla zima 3:07
17 Smrt� se nekonč� 1:48
18 Past�ři 4:28
19 N�dhern� noc 9:01
20 Transport 3:55
21 Dopis Arturovi 4:05
22 Vzestup 4:29
23 P.S. 4:36

Line-up / Musicians

Filip Topol - vocals, piano
David Sk�la - drums
Jan Hazuka - bass, violin
Pavel Cig�nek - guitar, violin

Releases information

MC Black Point 1993

Thanks to clarke2001 for the addition
and to clarke2001 for the last updates
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PSI VOJACI Baroko v Čech�ch ratings distribution

3.00
(1 ratings)

Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (100%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

PSI VOJACI Baroko v Čech�ch reviews

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Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams

Where is it written that avant-garde music should have grating, irritating vocals? It seems like far too many times I find myself enjoying the instrumental portion of a song, but the vocalist makes it difficult to listen to. That is the case with this album. While the music is rough, it is still quite compelling. However, Filip Topol tends to shout most of the lyrics (which I don't understand, not knowing the language). And when he shouts, he is often off-key.

Musically, this album is piano driven avant-garde, with some shades of punk. The guitaring is sparse, but when it is there it is mostly aggressive, bringing to my mind Klaus Flouride of the Dead Kennedys at times. For some reason, when the violins come in, it reminds me of Henry Cow. It all makes for an interesting album. Until Topol sings (similarly to the grating sound of Lee Jackson of The Nice), or should I say, shouts.

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