HOME IS WHERE I BELONG

This is an interesting album from a band that isn’t well known. Quicksand were a Welsh group that appear to have started out as something of a cover band if you read between the lines of the liner notes for this album. Despite this the band’s bio on the back cover of the record states that they “were determined to give fans their brand of music rather than a pale imitation of others”.

Well, the tracks here are all original compositions as near as I can tell, but I wouldn’t say they are without some hints of imitation. “Empty Street, Empty Heart” for example features a guitar riff that sounds suspiciously similar to the one from the Allman Brothers’ “Sweet Melissa”, and the title track uses a bass line that I’m pretty sure these guys first heard on “Beginnings” while spinning their copy of The Chicago Transit Authority, an album that was a bigger hit for Chicago in the UK than it was at home. It seems unlikely the band members were not familiar with both of these records.

But beyond that the tracks here are both indicative of the style of blues-and-psych bands of that day, and show some decent attempts at innovation (mostly on guitar). The keyboards are mostly mellotron and piano, but neither Robert Collins nor the Davies brothers (no, not those Davies brothers) are particularly accomplished on keyboards. The acoustic and electric guitar work is better though, and these dominate most of the album along with some very pleasant harmonized vocals in places (“Empty Street, Empty Heart” and “Seasons” in particular). The bass on this album is all over the place, sometimes even out of synch with the rest of the music, but props to the guy for trying anyway.

The various solo vocal parts seem to be shared by at least a couple of the band members depending on the song, and since they credits don’t make it very clear who is singing what I can’t tell which one of them is out of tune on “Sunlight Brings Shadows”, but that is the one track that probably should have been an instrumental since the keyboards and drums are the best part of it.

The closing “Hiding it All” is an archetypical seventies soft-rock number from both a rhythm and vocals standpoint, and although the slow acoustic and electric rhythm guitar parts are nice ear-candy, they aren’t exactly pioneering.

I’m not sure these guys are really progressive folk, or really that they are even folk, but this is a fun album to listen to despite its shortcomings. I give it a mild recommendation to fans of music like Ambrosia, Argent and any number of pop-tinged artsy soft rock bands of the seventies. This is a low-end three star effort, with the one additional comment that the CD version does not appear to have been created from master tapes and so suffers at times from muddled bass and sounds a bit flat. If you run across it at a reasonable price, you could do worse.

peace

Quicksand is one of those obscure bands from mid '70's who release only one album in summer of 1974 named very suggestive Home is where I belong and then disappered. This band was and is quite unknow to larger public in contrast with the music which is very good. They are more a heavy prog band rather then a folk one, taken influencesfrom bands like Warhorse, Allman Brothers, Spring and even some Beatles and Uriah Heep mood, specialy on some vocal parts. Also they have a psychedelic feel , the atmosphere, the arrangements remind me more of the early '70's, 1970-1971. The album is well constructed alternating from pure heavy prog pieces like Sunlight Brings Shadows, Seasons - Alpha Omega, Overcome The Pattern, or the title track Home is where I belong, with similariry with Uriah Heep ( Demons and wizards era) and some mellowere ones , it may be some folk influences on these one but only here and there like Empty Street Empty Heart , the beggining is absolutly a Beatles atmosphere. A quite intristing and adventurous in places album, specialy on longer pieces, with nice vocal parts and good keyboards, mostly mellotron but aswell some piano are used to give to the album a proper atmosphere. The guitar is very good alternating from acustic to a more rougher moments typical for heavy prog sound but in same vein with the keyboards arrangements. A worthy album, quite unnoticed but must be heared at least couple of times. 3 stars, a good album to me, not realy something never heared before, and possibly at same level with other very well known albums from that period or little earlier like Red sea (Warhorse), Spring or Cressida. 3-3.5 , a pleasent album for sure with good musicianship.