OPEN

After years apart from Progressive Rock, Jon Anderson releases this single that shows all the symptoms and pretensions that are an undeniable sign that we have before us a typical piece of Prog. "Open" is the very first epic suite penned by Jon since "In the Presence Of" from Yes' "Magnification". Both epics although 10 years apart have much in common and "Open" seems to be the natural progression from "In the Presence Of", sounding more mature (although I rate them equally as I think "In the Presence Of" is better accomplished). To me this attempt seems to be Jon trying to pick things up where he left off with Yes composition-wise a decade ago.

Lets begin by reviewing the instrumental elements of the piece. Contrary to "In the Presence Of" where the orchestra serves as a very effective atmospheric element (somewhat of a wall-of-sound effect), here the dominant element are the orchestrations while the rock group assumes a secondary role. The ambiance introduced by the orchestra-group interaction reminds of Renaissance's most orchestral moments, probably due to a Rimski- Korsakov influence introduced by the orchestrator (whose perspective is quite different from Magnification's). The orchestration is brilliant and the music is quite complex and never boring with the transitions from subtle to bombastic Jon is well known for (specially with Yes).

The big problem with the instrumental elements of the piece is that the melody relies too much on the vocals and the whole bombastic instrumentation works in the most part as support. This brings us to the central element of the piece: Jon Anderson's vocals. "Open" is a proof that Jon's voice has suffered little change in all these years and is still able to deliver with the same precision and charm as always. The lyrics are your typical Jon Anderson abstract love-themed poetry (recurring themes such as light, love, freedom, etc.), with quite incomprehensible parts ("Sun is calling, sun it sings you", ) and a message ("Open doors will always open hearts"). As always with Jon the lyrics' strong point is their inherent musicality.

Despite of the track's Yes-like nature (complex and bombastic Symphonic Prog) it is quite clear what this single is: a Jon Anderson solo project. While a Yes composition is formed by the juxtaposition of the strong and complex melodic and rhythmic contributions of every instrument, "Open" is basically a vocal display backed by an instrumental work that has little strength of its own.

The downside of "Open" is that it often sounds like a combination of recycled ideas from places such as "Olias of Sunhillow", Yes (70s era, "The Ladder", "Magnification"), "Anderson Bruford Wakeman Howe", "Anderson & Wakeman", among others.

"Open" is a beautiful epic suite and a gem of Symphonic Prog highly recommended to any Yes fan. The different tone set by the use of the bombastic orchestra balances out the use of recycled ideas and it gets extra points for flowing effortlessly between its 4 movements while remaining interesting for its 20+ minutes length.

As I said before: this seems to be Jon trying to pick things up where he left off with Yes composition-wise a decade ago. This makes me wonder, is Jon suffering of some Yes nostalgia? Nonetheless, there are many elements missing for this to become a complete Yes tune, mainly an instrumental work able of matching in strength the vocal melodies (added to which I would have liked to hear Chris Squire doing backing vocals for this). On the other hand, as the best pieces in the Yes catalog there is a whole new musical world waiting for you in every single repeated listen. Make sure to give a few listens to this one!

My verdict: An excellent addition to any Prog Rock music collection! 4.25/5

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