JORDPULS

Although beginning as a fairly black/folk metal oriented project, Norwegian duo Vintersorg has since tread quite far from the label, instead more recently being quite a bit more melodic and mellow in their music. The seventh album 'Jordpuls' was described to me as an album that takes the band further back to their roots, but still greatly evident is the strong presence of clean vocal harmonies. After a brilliant impression with the previous Vintersorg output 'Solens Rotter', I was quite intrigued to hear what these guys would have to offer now. 'Jordpuls' greatly disappoints me in the sense that it feels like it is a step backwards in virtually every respect for the band, despite the fact that Vintersorg has still maintained some of their strengths here.

There isn't too much of an evident development in Vintersorg's sound on 'Jordpuls'; rather a regression in the pejorative sense. The songwriting feels somewhat dumbed down from the dynamic, melodic and powerful presentation given on the prior album, but 'Jordpuls' does generally pull through. There are still some of the same great black metal guitar riffage here in parts, but the highlight of the sound remains frontman Andreas Hedlund's beautiful clean vocal harmonies, which had me fall in love with 'Solens Rotter' originally, and now do make up an even greater proportion of what there is to like about this album. Despite the shortcomings concerning how memorable the melodies here may actually be, Hedlund still stands strong as being a master of harmony.

Possibly the most disappointing element of 'Jordpuls' is the folk instrumentation, or- in this album's case- programming. From the very beginning, I was immediately put off by the cheap, fake sounds that seemed as if they were trying to emulate such instruments as the violin. Although I am generally appreciative of the fact that many bands do not have the resources to have all of the instruments they would like on their album, there does not feel as if there is an excuse for Vintersorg in this case; albums in the past have heard the folk element sound much less contrived and fake. If this has been an artistic decision on the band's part, it sadly does not work to their benefit, and tends to have me think that this may have been a step backward for the band. On the other hand, the drum machine here is done fairly well; sounding often as if there is a real session drummer behind the kit.

I cannot wholeheartedly recommend 'Jordpuls' as a listen, due to the fact that Vintersorg has disappointed the fan in me with this one. Although it scarcely compares to the last couple of albums they have released, 'Jordpuls' does retain some of the things that had me love the project to begin with, so I'm not left entirely discouraged.

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