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THE AURA WILL PREVAILGeorge DukeJazz Rock/Fusion3.12 | 17 ratings |
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Sean Trane
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Special Collaborator Prog Folk |
By the middle of the decade, George Duke was churning out albums at a frenetic pace, this
one recorded in early 75 and released a few months after the preceding I Love the Blues
album. The least we can say is that this album's artwork and title inspire more confidence in
the musical content inside, even if the album is not intrinsically superior in quality than its
predecessor. From that Remaining Aura, Duke chose to retain much less personnel for this
album's sessions, relying on the now-faithful Chancler, the returning Moreira (two tracks) and
having Alphonso Johnson (ex-Weather report) on bass. After a "normal" jr/f opening Dawn track, follows an atrociously-sung and strange For Love track, not totally devoid of interest, but the slow-fusion Foosh lacks fire and if Floop De Loop (George, who was your dealer at the time??) returns to the Beck/Hammer-sounding (but guitar-less) realm, this is starting to sound like just another Duke fusion album, with its already heard composition a flogged-to-death formula, but it ends up being one of my faves of the present album. On the flipside, Malibu is not exactly successful Latino-fusion track with its cheesy vocals and no-less kitschy synth sounds (by this time, Duke had bought a Moog, but was obviously still a rookie with it), and Fools is an atrocious love ballad that could've fit on a Barry White album. The short spacey Echidna's Arf makes a calm intro to the sickeningly over-sweetish cover of Zappa's Uncle Remus, which again breaks the album's continuity. The closing outro of The Aura again returns to the usual funky fusion of his. Aura is to be approached with caution, because there are a few objectionable tunes that breaks the album's overall fusion cohesiveness, but then again these tracks are numerous enough to start questioning if this album "fusion" label is the correct one. I wonder if George would gathered the JR/F tracks on one side and glued the other weirdies together on the flipside might not have been wiser choice, than this strange mix and un-match mess.
Sean Trane |
3/5 |
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