ACOUSTICALLY DRIVEN

In December 2000, Uriah Heep switched off the power, and for one night only became an acoustic combo. Per Neil Young's unplugged, the Hammond organ (such an integral part of Uriah Heep's sound) was retained, but even then piano also features heavily. Given their reputation built up over many years as one of the loudest bands on tour, this was a brave, but ultimately inspired move.

The band members were joined on stage by a string quartet, a female backing trio, and a few other "surprises". Mick Box plays acoustic guitar throughout, and Trevor Boulder acoustic bass. The set list comprises of a wonderful cross section of tracks ranging from "Lady in black" ("Salisbury") through to "The golden palace" ("Sonic origami"). I have to say that the results are nothing short of SENSATIONAL.

I must admit, I had some reservations about whether this was a wise move by the band, but as with Yes touring with a full orchestra, I am delighted to say my concerns were totally unfounded. The tracks are generally from the softer end of the Uriah Heep spectrum, and for those who have only come across the band briefly, there are a surprisingly large number of such songs. Vocalist Bernie Shaw is the prime beneficiary of the softer sound, his immense vocal talents shining brightly throughout. Early songs like "Why did you go", "Wonderworld", and "Echoes in the dark" are all dusted down for the first time in years. While they are instantly recognisable, being faithful to Ken Hensley's writing, at the same time they sound completely refreshed and new.

Jethro Tull's Ian Anderson joins the band for two songs, adding his distinctive flute to them, one of the many highlights of the show. As well as adding a wonderful vocal accompaniment, the three female backing singers also bring some welcome glamour to the occasion. One of the three, Kim Chandler, also proves to be a superb flautist, especially on "The easy road" and "The Golden Palace". The latter is one of the band's newest songs and it is surprising how well these sit alongside the classics, far more so perhaps than at their "electric" gigs. Throughout the string quartet, while seldom to the fore, lay a wonderful carpet of sound for the band to build upon.

I must admit I went through many emotions listening to (and in fact watching, the DVD is the ultimate experience), this collection. To hear many of my old favourites transformed by these interpretations was simply wonderful. The most emotional moment however was saved for last. I will admit to at least a lump in the throat, when the uillean pipes took the main theme on "Circle of hands". Uriah Heep and uillean pipes, I would never have believed it, but it sounds magnificent! What's more, when you consider the bombastic ending to that track on the "live '73" album, the contrast with the unaccompanied pipes which end the song here could not be starker. Both though constitute absolute highlights of their respective albums.

A truly awesome album, which shows Uriah Heep to be back to their very best. If you know the music of Uriah Heep, these interpretations will stun you. If you do not, there's never been a better way to discover the band.

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