PURE

Nick Barrett has an unparalleled ability to translate his emotions into music. I'm not just referring to his vocals and lyrics; the entire musical arrangement always seamlessly aligns with what he wants to express. Years ago, Barrett let us in on his emotional state by pouring his heart out on the beautiful "Not Of This World," an album where he tried to process the divorce from his then-partner. The album being discussed here, "Pure," released in 2008, seven years later, is just as impressive, if not more so. "Pure" is about Barrett's desire to break free from his demons, and this theme calls for a more powerful band sound. Well, "Pure" delivers exactly that.

However, don't be afraid; the melodic, lyrical qualities that make Pendragon so special are still very much present. You can take it for granted that this is a guarantee that extends beyond the front door. The robust nature of the music comes through in three aspects. For instance, Barrett's voice has an appealing rawness at times, and that same rough-edged sound can be heard in his guitar chords, though not constantly. It's not that he plays with some standard distortion; his stringed friend sounds raspy, impressively wide, open, gritty, and sparkling all at once. The third source of power (and perhaps the most important) is the then-new drummer, Scott Higham. With his decisive playing style, he's practically the Mike Portnoy of neo-prog. What a driving force he is.

The album contains only five songs, each divided into seven tracks. Indigo opens the album, and Pendragon immediately silences anyone who has ever accused the band of staying in their comfort zone. The first few minutes unfold as described above. Then, Barrett delivers a gem of a guitar solo. Experts unanimously agree that this is the band at its best. Eraserhead, which follows, is by far the album's roughest track. The lyrics and the angry way of singing don't lie. The epic Comatose reveals a distinctly authentic Pendragon. The three tracks of this piece are atmospheric and varied. Then comes the upbeat The Freak Show with a catchy rhythm and Barrett unleashing one of his most infectious guitar themes ever. That's great, especially since the album closes with the subdued It's Only Me. A beautiful guitar solo at the end and a smile on your face leave you with a good feeling.

Everything about "Pure" is spot-on.

Orginally posted on www.progenrock.com