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Deep Purple

 

Proto-Prog

3.84 | 58 ratings

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AtomicCrimsonRush
Special Collaborator
Honorary Collaborator
4 stars

New Deep Purple is irresistible for old metal heads and the line up of the big 5 is a wonderful treat. They are back on their 23rd studio album; Ian Gillan on vocals, Roger Glover on bass, Ian Paice on drums, Don Airey on keyboards, and Simon McBride on guitars. The progenitors of classic metal are in their Twilight years but can still rock with the best of them. And they have the genius of Bob Ezrin in album production. What can go wrong? Not much but don't expect another In Rock, Machine Head or Perfect Strangers. Instead prepare for an excellent album that's all killer. No filler.

They burst out the gate with the melodious Show Me, followed by cool riffing on A Bit on the Side. Gillan is in fine vocal form and the music rocks hard with touches of prog, mainly from the keyboard wizardry of Airey. The lead breaks on this are freakish with incredible speed fretwork and that melody is infectious.

Sharp Shooter has a sporadic rhythm and locks into a steady pace with great vocals.

Portable Door has a fast tempo and Gillan gives it everything accompanied by glorious organ and guitar motifs. I like the melody and the Hammond organ sounds. Another dynamic lead break enhances the enjoyment.

Old-Fangled Thing has a tremendous lead solo, lashings of organ and a quirky jazzy feel. I like that musical interlude too.

If I Were You is a power ballad that has a melancholy feel.

Pictures of You has a riff that reminds me of Alice Coopers Devils Food. I like Gillans vocals here and it's got an infectious melody.

I'm Saying Nothin' has quirky lyrics about keeping dark secrets to the grave, perhaps autobiographical. Again it has a great melody, cool guitars and keyboards trading off in style.

Lazy Sod is another song about being too lazy to get outta bed, remember Lazy, and it's got a great riff and rhythm. The lead break is killer from McBride. Aireys keyboard attack is masterful; a wonderful track on the album.

Now You're Talkin' opens with slide guitar and then it motorvates along with sizzling energy.

No Money to Burn has a 70s classic rock feel. The riff is blistering and Gillan powerfully sings about having no cash to waste. It sounds a bit like Wishing Well in the mid section. The lead break is scorching and again Airey hammers that keyboard with speed and precision.

I'll Catch You is a slow bluesy track that holds an emotional edge with Gillan reflecting about feeling broken and dreaming about a girl beyond his reach. "My bags are ready, My keys are in the car. Anytime you want to jump, I'll Catch you in my arms" is a line that jars me on each listen. This is a superb track.

Bleeding Obvious closes the album with fret melting guitar riffs and high string bends layered over. The guitars are frenetic along with Paice and Glovers rhythm section. It ends in a paroxysm of speed picking and fast tempo drumming.

At the end of this new Album I can't help but think how much they achieved with this. After so many years in the business, it is incredible they can still generate music of this calibre. The album grows on you and I am in awe of the musicianship and how Gillans vocals resonate. There's a lot of passion poured into this and if it's their last album they have gone out in a blaze of glory.

AtomicCrimsonRush | 4/5 |

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