A CURIOUS FEELING

1. From the Undertow intro to the burning rope, latent, aerial, crystalline piano, a good GENESIS encore in fact; we get into the subject and it's better than the sound of the group 2. Lucky Me with Kim on vocals, you have to get used to it, hard for me; Well-calibrated marshmallow romance with an intoxicating Banks vibe 3. The Lie as an ersatz of a Genesisian title, I'll let you guess which one but yes I'm starting to think of scraps of titles that he kept in his computer 4. After the Lie on a more airy, fresher, fruity piece, the title that we are releasing in the spring; in fact it could be a GENESIS with Chester hitting the barrels; All that would be missing is a guitar solo from Mike who was almost as discreet as Steve when there were still 5 of them, a dynamite consensus title which is really not bad at all, for anyone who doesn't yet know GENESIS!! 5. A Curious Feeling continues the dynamic and then there were three, like falls from this album, but good falls! with paradoxically more long pieces, strange or done on purpose, in any case a real joy 6. Forever Morning and an instrumental in addition to the intro; majestic, Vangelisian, admirable, of the primary symphonic which sends you with two very high chords,

7. You continues on the same musical line with an innocuous verse-chorus followed by a flight of synths, yes more modern, a little brightened up of the genre and the cruise has fun; the solemn tone reinforces the experienced side of the group which knows what it is playing, in short admirable; the finale with the notes that flow, that roll like on a... GENESIS, we even have the impression of hearing the archangel's flute to tell you 8. Somebody Else's Dream for the Chris and Tony association, the vocal flirting between a TOTO and an AOR group, yes you have to look a little; otherwise I'm waiting for the instrumental part, suddenly crystal clear piano and the flight... too fast, disappointment in fact; yes Tony alone makes me vibrate more 9. The Waters of Lethe and the 3rd instrumental which once again stands out; the grandiloquent symphonic side with the Vangelisian touch which does not leave one indifferent, and this progressive escapade which goes well beyond prog, an Olympian neo-classical feeling 10. For a While nursery rhyme for the piano, the ballad is all, the source dries up? 11. In the Dark for the Genesisian finale, yes I assume, an almost more beautiful ersatz space which closes with this grandiloquent organ rise which makes you grow hair on your skull, a bucolic and enjoyable pleasure in fact.