YOU MUST BE CERTAIN OF THE DEVIL

While still dominated by Galas' vocal gymnastics, much of the terrifying intensity has been sacrificed for more regular singing and an accessible sound. After the piercing opening, Double-Barrel Prayer is an upbeat and catchy piece. A continuous avant-rock loop sets a grooving pace. Galas' operatic vocal is very dominant but somehow it's become more streamlined and polished, with more focus on bluesy hooks then on the chilling horror ambience of old.

Another aspect that makes the music more easy to digest is the choice for English vocals. Certainly the combination of English and the strong influences from new wave as well as from soul, blues and gospel might make it a good entry point into her music. At least it did for me. Double-Barrel Prayer, Birds of Death and Malediction might appeal to fans of Nick Cave, Coil, Einstürzende Neubauten and other good company from the 80's. By contrast, Let's Not Chat About Despair, You Must Be Certain and Let My People Go present a wicked take on classic R&B.

It's not Galas' most consistent or impressive album, but it's an original item in her catalogue and a recommended entry point for the uninitiated. 3.5 stars.

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