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TAKA BOOMOsannaRock Progressivo Italiano2.47 | 22 ratings |
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![]() "L'uomo" opens the album with a surge of energy. This new version of Osanna's debut album opener is brilliant, more aggressive than the original one and with an almost rapped section emphasizing the lyrics. The following "Ce vulesse ce vulesse", is a piece from "Suddance" ("Ce vulesse") that here is revitalized with the addition of a second part ("Canta chiù fforte"), harder and angrier than the original one... The dreamy "Medley acustico" bounds a short excerpt from "Palepoli", "Oro caldo", with "My Mind Flies" from "Preludio, tema, variazioni e canzona" and "L'amore vincerà di nuovo" from "L'uomo". The effect is interesting, but you can't really resume and condensate such pieces in just five minutes and I feel that something is missing here... The ironic, funny "Taka Boom" is a new track dealing with the risks of internet addiction leading to a virtual life disconnected with reality. On line you can find everything, you can burn every book and every film because you don't need them any more, even sex can be experienced on line and pleasure stored in a file... Until the body of your virtual partner, hacked by viruses, will blow up! Next comes another medley, "In un vecchio cieco - Vado verso una meta", with two pieces from "L'uomo" that were bound also on the 1971 album (although in a different order) and here are in some way simplified and played in a more straightforward way. Then the canzona from the second album in its new dress, "There Will Be Time", leads to "Medley Train" where a piece from "L'uomo", "Mirror Train", is enhanced with a new middle section featuring rap style vocals in the dialect of Naples, "Treno senza stazione" (Train without station). The new versions of "'A zingara" (from "Suddance"), "Oro caldo (Fuje 'a chistu paese)" (an excerpt from "Palepoli") and "Everybody's Gonna See You Die" (from "L'uomo") follow and lead to another new track "Colpi di tosse", a song "of rage and nostalgia" featuring the narrative and rap vocals of the guest Enzo Avitabile interacting with Lino Vairetti's melodic lines and including quotes of "Fog In My Mind", from "Landscape Of Life". A short acoustic version of "L'uomo" ends the album. On the whole, a good work that takes Osanna into the new millennium but not an essential one.
andrea |
3/5 |
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