SYMBOLIC

In only a decade Chuck Schuldiner transmogrified his proto-death metal Mantas into the real deal by delivering the first fully agreed upon death metal album in the form of 1987's "Scream Bloody Gore" with the more familiar moniker DEATH. However this was one artist who was never content to rest on his laurels and continued to evolve DEATH's sound with each following album which subtly became more sophisticated and employed ever more experimental and technical aspects of progressive rock into his unique brand until it's difficult to even consider DEATH a death metal band at all at least in the old school traditional sense.

By the time Schuldiner got to his sixth and most revered album, the band had gone through a ridiculous number of lineup changes but despite the rotating cast members each album continued to raise the bar closer to perfection. Well on SYMBOLIC that pinnacle of metal masterpiece material was finally achieved. This album featured two new members on the team. Guitarist Bobby Koelbe replaced Andy LaRoque and Kelly Conlon took over Steve Di Giorgio's bass duties however unlike "Individual Thought Patterns," SYMBOLIC featured a standard fretted bass instead of the fretless. While only Schuldiner and drummer Gene Hoglan remained from the previous album, the band at this point was a well-oiled machine capable of metal magic that has catapulted this album to the top of every "best of" metal list.

Virtually every aspect of SYMBOLIC is an improvement over what came before. Withe the very first heavy guitar riffs of the opening title track it's clear that the band had reached the apex of excellence with dueling twin guitar attacks, fiery fueled compositions that exhibited more hairpin turns and diverse dynamics and best of all Schuldiner's unique snarling vocal style that featured a wider range and more controlled precision unlike previous albums. Hoglan's drumming dynamism took on new heights as well with precise technical chops infused with blitzkrieg speed attacks that showcased bouts of psychotic savagery. The album also featured stronger melodic sensibilities that kept DEATH uniquely in that happy place between the thrash metal world of Exodus, Forbidden, Overkill, Megadeath and the death metal 90s bands like Morbid Angel, Obituary and Autopsy.

While not the first tech death band DEATH nevertheless was in the forefront following Atheist, Cynic and Nocturnus. Having moved on from the shock and gore old school death metal themes a few albums back, SYMBOLIC featured more advanced lyrical themes that was instrumental in ushering in a new era of the more "mature" brand of death metal that explored more expansive themes and featured exhilarating changes of dynamics in the musical procession. This is basically where DEATH found the perfect balance of all the elements that had made the band stand out from its contemporaries. If that wasn't enough SYMBOLIC also benefited from a better production and mixing job with each instrument finding its proper space to fully unleash its potential. The guitar sounds are perfectly placed and while the bass may not dominate, it provides an essential backdrop that allows the explosive drumming wizardry to stand out.

For the first time listener it may be a difficult task to understand what makes SYMBOLIC stand out amongst the previous albums. DEATH was not an in-yer-face kind of band that changed things drastically from album to album. The basic elements were pretty much retained and simply refined into a sleeker production. SYMBOLIC seems to be the point where all of the DEATH-isms simply aligned in the right places where chaos and melody intertwined, fiery virtuosity danced with traditional cyclical grooves and atmospheric dynamics such as clean guitar intros and off-kilter breaks offered a contrast to the incessant bombastic barrage of the twin guitar riffing and snarling growling vocal style of Schuldiner. Each track excelled in standing out from the rest and the album doesn't offer one weak moment.

SYMBOLIC remains as stunningly fresh sounding as it must have some quarter of a century ago when it first stunned the world with its brash new interpretation of the fairly new kid on the block in the metal universe. This sixth album by DEATH is simply one of the best tightrope acts of walking the line between the melodic world of extreme thrash metal and the grittier filth of death metal all the while adding technical wizardry that added a sense of highbrow sophistication. Despite SYMBOLIC's status as metal masterpiece that always ranks high on classic metal albums lists, DEATH wasn't exactly met with admiration by the masses as it was a little too ahead of the game. Due to tensions with Roadrunner Records, Schuldiner actually broke up DEATH after SYMBOLIC and focused on the clean vocal splinter band Control Denied but eventually returned to the studio to craft one last metal masterpiece under the DEATH moniker with "The Sound of Perseverance." As far as the core sounds of DEATH go, most consider this the pinnacle of the band's existence and i cannot find any arguments against that myself.