THE GEESE AND THE GHOST

Subtle. Bucolic. Crystalline. Pastoral. Mediaeval. There is not much I can say while waxing romantic over "The Geese and the Ghost" that hasn't already been said by other reviewers here. I guess what most stands out for me when revisiting Ant's first album is the stunning clarity of every single instrument in the recording mixes. Amazing! No other "prog" LP that I know assembles such a seamlessly integrated ensemblature of instruments; neither does any "prog" recording that I have ever heard imbue one, whether intentionally or not--and oh so effortlessly--with the feeling that one is being surrounded by, communing with--even entraining with--Nature herself. Also, Peter Cross's artwork is among the most interesting, humorous album work ever created. I remember purchasing each Anthony Phillips album with almost as much anticipation for Peter Cross's artwork as the music--that and wanting to find out what Ralph Bernascone was up to lately--which says a lot since Ant's music has always been among my favourites. Curiously, despite Ant's talent, penchant, and proclivity for piano/keyboards, I've never quite been able to think of him as anything other than a guitarist. Apologies, Ant! More Tibetan Yak Music! A Five Stars Masterpiece.