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SPLEEN AND IDEALDead Can DanceProg Folk3.70 | 153 ratings |
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![]() 1. "De Profundis (Out of the Depths of Sorrow)" (4:00) I can see this awesome song that conjures up so much of ancient times being the opener for many a Wiccan and pagan ceremony! (Now I know where/why ANNA VON HAUSSWOLFF sounds so familiar to me!) (Lisa sounds so young!) must've been shockingly fresh for its time. (10/10) 2. "Ascension" (3:05) awesome instrumental that pretty much continues to lay down the theme of ancient and/or medieval (though majestic) from the opener. I'm in disbelief at how well they got these antiquated instruments to blend so well and how they were able to create a sound that doesn't sound so dated. (10/10) 3. "Circumradiant Dawn" (3:17) moving from the majestic and courtly to the chambers of the religious/wily women. (10/10) 4. "Cardinal Sin" (5:29) Brendan's voice is already strong and steady! Nice, thick music backing him, too. (8.75/10) 5. "Mesmerism" (3:53) She sounds so young! (8.5/10) 6. "Enigma of the Absolute" (4:13) a song that rather plods along is saved by the presence of the strings. (8.25/10) 7. "Advent" (5:19) with that BUGGLES-like bass line, this one moves the band a little more into the realm of New Wave. It is, in fact, a nice, pretty pop ballad. (9/10) 8. "Avatar" (4:35) finally, some Middle Eastern sounds and stylings (zither and vocal)! Shades of what is to come! (Again, I hear Anna von Hausswolff so clearly!) (9.5/10) 9. "Indoctrination (A Design for Living)" (4:16) piano, cheezy pseudo-jazz drum, and deep sustained synth bass over which Brendan sings somehow engages and mesmerizes. (9/10) Total Time: 38:11 A-/five stars; a minor masterpiece of progressive folk-rock music.
BrufordFreak |
4/5 |
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