TANGERINE DREAM

KALEIDOSCOPE (UK) are sometimes confused with the American band of the same name, which is probably not surprising, considering they're both psychedelic sixties bands. Kaleidoscope was obviously a popular name for a band in the late 1960's flower-power era, conjuring up images of radiant psychedelic rainbow colours. Intriguingly, the British Kaleidoscope released their first album "Tangerine Dream" (1967) the same year as the synthesiser band Tangerine Dream were formed in Germany. Kaleidoscope's second album "Faintly Blowing" followed in 1969 and they released their third album "Home from Home" under the name Fairfield Parlour in 1970. They recorded a fourth album together, "White-Faced Lady", but it was shelved and remained in storage until 1991, when it was released on an independent label under the original Kaleidoscope name. The 1998 CD re-issue of Kaleidoscope's debut "Tangerine Dream" added six bonus tracks to the original eleven songs on the album. Let's take a look through the Kaleidoscope view-finder now and examine the many colourful psychedelic facets of Tangerine Dream".

It's a jolly good opening to the album with the title track "Kaleidoscope", a jolly-sounding 2-minute burst of Sunshine-Pop that's positively bounding along with joyous optimism. It's a good all-round late-1960's Pop tune with a bright and sunny disposition, where all the birds are singing and the fluorescent flowers are blooming in the psychedelic garden of earthly delights. The curiously-titled "Please Excuse My Face" follows next. It's a gorgeous acoustic guitar arrangement where the lovelorn singer is in full romantic balladeer mode and pining away forlornly over his lost love. This beautiful ballad sounds as charmingly English as afternoon tea and crumpets whilst watching a game of cricket on the village green. Howzat! We're taking a psychedelic trip back in time now as we "Dive Into Yesterday", a song that's awash with colourful acid-tinged guitar vibes. It's a catchy tune that's very reminiscent of the Beatles at their most psychedelic, with influences from the West Coast sound of sunny California. This joyfully sunny music sounds as bright and bubbly as a glass of sparkling lemonade. And now we come to the curious tale of "Mr. Small, The Watch Repairer Man", the kind of cheerfully light-hearted Pop song that could only come from England in the late 1960's. It's a carefree and playful little number that doesn't take itself too seriously and it's representative of the Best of British Psychedelic Pop. We're travelling to distant foreign lands now with "Flight from Ashiya", only this appears to be a doomed flight as the constant refrain in this song is "Nobody Knows Where We Are" ..... Oh dear! It seems that despite the pleasant sunshine sound of this jangling and exotic Byrds-like psychedelia, the flight has gone down in the middle of nowhere. The dark mood continues with "The Murder Of Lewis Tollani", which closes Side One on a sombre note, although don't get too down-hearted because it's really a great Sunshine Pop song despite the solemn message in the lyrics.

The strangely-titled "(Further Reflections) In The Room Of Percussion" opens Side Two. It's a typically cheerful 1960's Pop tune but who knows what the song's about as the convoluted lyrics are like a riddle wrapped inside an enigma on a psychedelic acid trip. One thing's for sure, "In the Room of Percussion" is nothing to do with a drummer doing a sound-check in the recording studio. We're meeting the charming "Dear Nellie Goodrich" next, which turns out to be a short but sweet jingly- jangly sunshine burst of lovely English Pop music, featuring some delightful sugar-coated harmonising. This very agreeable tune is as sweet as a jar of honey. It's time to pack our bags now because we're off to the seaside for "Holidaymaker", a happy- go-lucky Pop song that's just as bright and sunny as the song title implies. Don't forget to pack the suntan lotion because this summer song is positively bursting with sunshine. We're in the King's court for "A Lesson Perhaps", although he's not a progressive Crimson King. No, this is a traditional Folky King in a quaint pastoral setting. This gentle melodic madrigal represents a charming acoustic spoken-word diversion in an album that's positively glowing and overflowing with radiantly cheerful Pop songs. And now we arrive at the magnificent highlight of the album, "The Sky Children", in a classic example of saving the best song till last. This marvellous closing song has instantly transformed what could have been a very good four-star album into a five-star masterpiece. It's eight minutes of pure unadulterated pleasure. The music is similar in style to the Byrds classic "Eight Miles High" - only better! The "Poptastic" lyrics are simply sensational. Take a look for yourselves:- "A million white flowers in a field in the sky, Seemed to spell out a greeting as the children flew by, A guard in a chariot of silver and gold, Gave the children all tickets, then the story he told, Of a time in the future that was sunshine and flowers, And the children grew sleepy in the sky's white towers, They dreamed of the story that the guard had displayed, They saw all the wonders, tiny minds were amazed, They saw candy forests and dragons that breathed fire, On all that was evil in the misty mire." ..... And that's just the first verse! There are six more incredible verses to come!! This beautiful music does indeed sound like "A million white flowers in a field in the sky." It's heavenly!

Travel back in time to the flower-power sounds of the late-1960's Summer of Love with this charmingly English album of glorious Sunshine Pop songs that's positively overflowing with cheerful exuberance and ebullient optimism. It's a Psychedelic Kaleidoscope of glowing rainbow colours wrapped inside a beautiful Tangerine Dream!