MALEDETTI

1. "Evaporazione" (1:45) a wonderful and powerful introduction to the crazed and unique mind and world of Demetrio Stratos. (4.5/5)

2. "Diforisma Urbano" (6:18) slightly discofied jazz-rock fusion of the funky kind being churned out in the second half of the 1970s by such bands as JAN AKKERMAN, SBB, STOMU YAMASH'TA's GO, JAN HAMMER, GEORGE DUKE, LENNY WHITE, and JEFF BECK. Excellent for that fare. (8.75/10)

3. "Gerontocrazia" (7:30) Demetrio, soprano sax, and an African marimba open this one with a very African folk feel until cello takes over at 2:40 as sole companion of Demetrio's singing. At 3:36 the full electrified contingent joins in though carrying a North African melody as its standard. Then at 4:20 we get another drastic shift into a more JAN HAMMER/MAHAVISHNU-like passage in which jazz-rock drums support multi-instrumental presentation of high- speed melody-noodling. A minute later the whole-group presentation breaks down to allow for singular soloists to present their interpretations. At 6:25 the passage ends and we are bridged back to the North African melody section for the song's finish. Interesting! (13.5/15))

4. "Scum" (6:30) piano-based WEATHER REPORT, JOE SAMPLE or even DONALD FAGEN-like jazz fusion with fretless bass in the initial lead and synths and electronic keys adding their voices after a minute. Nice, virtuosic DON PULLEN-like piano solo in the third minute continuing on until the ELP/YES-like 4:23 mark. Experimental synth noises take over, setting the stage for a Demetrio Stratos political vocal recitation (oddly, electronically treated). (9/10)

5. "Il Massacro Di Brandeburgo Numero Tre In Sol Maggiore" (2:20) a BACH string quartet with a little organ support from Demetrio. (4.5/5)

6. "Giro, Giro, Tondo" (5:55) Single note synth drops support a multi-track, multi-voice Demetrio onslaught before drums and keys smash their way into the song at the one minute mark. By 1:45 there is a full-band jazz-rock tapestry playing out over which Demetrio sings a fairly straightforward (for him) impassioned vocal. (8.75/10)

7. "Caos (Parte Seconda)" (9:00) a sonic free-for-all in which every band member is set loose in the studio with the intention, it would seem, to pluck and strike, clink and clank, wah and wang, fizzle and fazzle, strafe and staccato anything and everything they can A) come in contact with or B) imagine and invent. Methinks Demetrio, saxophonist Steve Lacy, and all percussionists had the most fun during this one. I'm guessing that only the most patient, most curious, or else detached and unexpectant listeners will find enjoyment in this one. (14/20)

Total Time: 39:18

Four stars; another wonderful, well-produced display of the kind of politically-charged experimental music being done within the progressive rock movement in the mid-1970s.

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