TRIANA (EL PATIO)

Yes, who knew that flamenco and keyboards would make such a happy marriage? I am really surprised on how thick and rich Triana's sound is. Frankly, I thought at first that they were Italians because their approach is really original and intense. In fact, it's pretty much a gypsy-symphonic-Le Orme blend meaning grandiose moments of thick keyboard beauty, sexy classical guitar licks (oh so plenty) and talented singing...in espagnol por favor (not italian).

They did a splendid remastering for their 40th Anniversary and even without the super production, I was still sold at the very first listen. When 'Abre la Puerta' started, full mellotron ahead, grand piano and sizzling spanish guitar I thought 'Oh wow! How did I miss this in 15 years as a progger?!?' A record with the perfect atmosphere for dusk listenings, plunging you into a dynamic blend of flamenco swing and tempered progressive elements. It's just the right dose, not too much keys, not too much flamenco but still rocking in the Andalousian free world.

It's my only ecounter with this special formula and I must say that these guys knew what they were doing. Many times I shouted 'damn!' half smiling in awe, relishing on this well crafted record. If you missed it, take a few minutes to get around this great, great album and like me, raise your eyebrows in admiration.

A not-so-well-known-classic (it's so unusual!) but deserving more praise from the proggers.

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