THE QUIET EARTH ORCHESTRA

Wonderful Neo Prog (due to the vintage 90s sounds and production) from a one-man artist-composer John Ludi. John is blessed with a singing voice that ranges from ICEHOUSE's Iva Davies to DAVID BOWIE and ROGER WATERS. I am greatly impressed with the complexity of John Ludi's music: it's subtle--even in such a seemingly simple song as "Simple" there are many layers of instrumentation that go into the production.

1. "History Ends Here" (6:57) synthetic GENESIS. (7.5/10)

2. "God" (7:43) is an awesome song that reminds me of a cross between ROXY MUSIC, COLLAGE (synth work), and KINGSTON WALL (this latter because of the awesome lead electric guitar work and sound). My favorite song on the album. (10/10)

3. "Limitations" (8:59) another song that reminds me of some of the darker, more somber ROXY MUSIC/BRIAN FERRY music (with Iva Davies singing) from the 1980s. The synth horns sound a bit dated. (8.5/10)

4. "Simple" (3:49) a pretty instrumental with a PINK FLOYD The Wall or The Final Cut feel to it. (8.5/10)

5. "The Prophet" (5:50) a fast-paced rocker whose voice and lyric continue the late Roger Waters/Pink Floyd sound. The piano work in the fourth minute is my favorite part. (8/10)

6. "Singularity" (4:43) contains some great guitar riffs and chord changes as well as one (no, several) of the more interesting vocal styles on the album. A top three for me. (9.5/10)

7. "Slow Down" (7:51) a 70s-sounding rocker with a cool multi-voice approach to delivering the lyric. Reminds me of BLUE ÖYSTER CULT and URIAH HEEP and even a little PROCUL HARUM. Harpsichord! The quick-panning synth horn solo is cool, too. Unfortunately, the vocal style and repetitive stylistic sequences start to wear thin over this long song. (8.25/10)

8. "The Madness of Crowds" (5:02) a little DAVID BOWIE, perhaps? Sure sounds like it! (8/10)

9. "Cicadas" (6:49) more ROXY TALK TALK-like stuff--with a definite stamp of originality to it. Nice vocals and lounge- jazz bass, "brushed" drums. John definitely has a talent for melodic solos from his instruments. My other top three. (9/10)

10. "The Prophet's Theme" (4:54) synth-generated strings, reed instruments, and flute make for an interesting "experiment"--but it leaves me begging for the real thing--an acoustic orchestra. (7/10)

Four stars; a solid contribution to the Neo Prog world from a very talented composer-producer.