BARRETT

This album "Barrett" has seen the light in 1970 as Syd's second (and the last) studio-based full-length album. Already he's been abused in and broken out by lots of illegal psychic agents and could have floated in another dimension, plus his distorted soundscape should have been overthere, and sounds like a couple of collaborators should have taken him back to the real world (sounds like he could not have beaten at all though). Anyway wondering why this album is less addictive than the previous one. Maybe as follows.

Honest to say, he runs along at full speed from the beginning "Baby Lemonade" until the epilogue "Effervescing Elephant", where such a psychic agent created by him is pretty effective for the audience. At least for me this track should be one of his masterpieces. Every single track is quite drenched in mad and polluted muddy space. Sounds more productive than ones in the previous creation actually. However, something confusing comes around me after completing this entire album. As though I would have drunk a bottle of wine where are many kinds of flavour and essence but the atmosphere is loose and disarrayed ... as a result, this wine is not so good, despite of many kinds of fascinating flavour. Guess Syd might have created material just as he wanted to do under abusive condition.

Sadly in this stuff a great madcap Syd got to be a real madman suitable for another dimension. This album would just be a moment he stepped into the inferno, Roger could never reach eternally.

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