THE MAN WHO NEVER WAS

"The Man who Never was" would be a significant release even if it came from one of the classic symphonic or neo prog bands, but as a debut from a Yorkshire, UK band that had only formed mere months before, it's simply stunning. While enjoyable from the first listen, it stands up to repeat explorations of its plenteous sound and introspective lyrical themes. The arrangements are an archetypal blend of soaring or arpeggio'd guitars and effusive keyboards with healthy reverence for piano. The frequent vocals from Al Wynter (perhaps a clue to the band name) are a pivotal aspect to the band's lucid sound. While the tracks are long, they generally fit without stretching. Indeed, while the usual references to neo prog giants are valid enough, I would compare this release more directly with the first couple of albums by Polish group SATELLITE, with parallel musical and lyrical themes, cinematic grandeur, and a frosty veneer that belies the underlying compassion Just listen to the buildup of "Lullabye" for an example. The opening suite is truly exceptional, and everything that follows is good or better, with plenty of twists and superb playing all around. A splendid entrance that freezes out a lot of the tired old competition!