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METANOIAPorcupine TreeHeavy Prog3.02 | 268 ratings |
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![]() Snapping out of this hard (and empty, in places) critic to Porcupine Tree's half portion of less artistic and less profound music, but purely ecstatic, heart-shaking, melding the progressive with the mainstream, it's more important to recommend this different, more unknown, bit surreal, unexpected, challenging, difficult to get into or retain achievement. What's true is true, it can't compare in any way with Porcupine Tree's main line of projects, with the big albums that is, but even considering this, it sounds like a great moment when fantasy took over, instrumentality was more perfectioned (ending a bit too rough, sometimes), it's not something greatly unusual coming from them, though it could be annexed inside the "alternative" directions. Being perceived against all the common tendencies doesn't make it bad, unrecompensed. And, since it's just a sort of "side-album", comported as an extra experiment, it's not even style-shifting Porcupine Tree's main glow, since, considering it a 2001, it's strictly an album placed between PT's line of easy, modern-pop music (culminating with Lightbulb Sun) and new shift (starting with In Absentia). It's much harder to accept, for me, the fact that we can talk about Metanoia being marginalized, just like the Voyage 34 re-installed story one year ago. Distaste is one thing, preference is another, but treating the album as, let's assume, "not of a PT worth" is just sad. Still, overall, the hard way how Metanoia is received enhances even more, IMO, its special nature. Since it is originally a 1998 project and a Signify special session, things aren't so insufferable, neither that radical. Released only in 2001, it has a good place there, as a crossover effect of new endorsed music, lately imagined subtlety, vainly crisped shadiness. Metanoia is able to passionate and intrigue, under constant fret. I found it to be splendid in a juvenile period when Porcupine Tree didn't clicked to me so much, and still is, nowadays, of a penetrating fervor, of a fantastic difficulty, so that it doesn't matter what kind of common music Porcupine Tree does best, it matters that this different and curiously unwanted side-project is above expectations. What we can hear is a fruitful game of dark, charliehorsed, unstable music; overall the band practices nothing more apart than an improvising and glowing space hard rock. It's also a serious training into heavy listening, one dense piece following another, the caliber being thick, changes whirpooling, the effervescence being somber, suffocating, the style being more of an underground flavor, the dynamics being obsessive. Nuances are like nerves, glitches or thunders, there's little melody and harmony to be taken in a simple way, the album practically attacks your cerebral sense for metallic, demonic, gloomy music, through stirring and susceptibly lush effects. It's up to you whether you like it or not, the hard, dark catharsis that's build is all there. Conventionally, this could go a bit lower, seen as a regular session of heavy instrumental rock which to blacken the same mind we've talked about earlier and which to build your affection based on hollow structures. Still, the music's strong, the vigor's push is towards illusion and dizziness; the soundproof is excellent. Somehow, Porcupine Tree's hard improvised rock session makes me think of King Crimson's THRaKaTTaK, a similar un-commercial, un-conventional, un-controllable work. Metanoia, in terms of going overboard and try to huff its essence, could also be a stunning ode to purely instrumental, free-guided rock. Complex, calibrated or just full of ornaments, this is modern and luscious, with artistic, demonic, capricious elements coming out of all its heavy-sounding great prose.
Ricochet |
4/5 |
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