GLASS SHADOWS

The recent years I am more and more pleased with the very distinctive Mostly Autumn sound, also on this new album you can enjoy lots of dynamics between the folky parts (featuring instruments like twanging acoustic guitars, Grand piano, Uillean pipes and flute) and the more compelling and bombastic parts (loaded with a heavy keyboard sound and often howling Floydian guitar runs), embellished with wonderful male and female vocals). On Glass Shadows I am delighted about the longer compositions Tearing At The Faerytale (strong build-up with lush instrumentation, from sensitive piano work and soaring keyboards to acoustic rhythm-guitar and a long moving guitar solo) and the a bit ominous and varied titletrack (delivering The Wall-like climates, a church-organ sound, floods of Hammond organ and powerful, quite dramatic vocals). A strong point in Mostly Autumn their music is that after those compelling and bombastic moments, you can always enjoy mellow and warm folky pieces and I love the Uilean pipes. Unfortunately on this album you cannot find very much Uilean pipes but the exciting duel with an electric guitar in Until The Story Ends almost puts this right!

I hope to see Mostly Autumn very soon, the last time was at about 10 years ago, since then they have turned from an obviously Pink Floyd inspired band into an unique progrock band and with Glass Shadows Mostly Autumn will please their fans again.

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