Progarchives, the progressive rock ultimate discography
Opeth - Watershed CD (album) cover

WATERSHED

Opeth

 

Tech/Extreme Prog Metal

4.01 | 1345 ratings

From Progarchives.com, the ultimate progressive rock music website

Gatot
Special Collaborator
Honorary Collaborator
5 stars "Watershed" is Opeth's ninth album following up their previous studio CD "Ghost Reveries" which was named the best album of 2005 by some music critics. Coupled with the signing with Roadrunners, there must have been great expectations from Opeth fans on this album. Exemplified by a couple of lineup changes for Opeth in the past couple of years, including the departure of longtime guitarist Peter Lindgren and drummer Martin Lopez, the situation had been tough for the band. Their replacements are guitarist Fredrik Akesson (Arch Enemy) and drummer Martin Axenrot. The latter has been with the band for a while, but this is his first studio album with Opeth. This seems not a big issue as Mikael Akerfeldt wrote most of the material for the album.

Dynamic, variety, excellent musicianship and great songwriting .

My first impression with this album was that this is an excellent album that every home must have it. The music combines excellent dynamics and energy that, if used properly, can elevate the life spirit - even though the nuance of the music is dark. Credits for this album include great songwriting (by Akerfeldt), a lot of varieties in the music and excellent musicianship even though there are new members.

Opeth has confirmed their clear musical direction since their "Still Life" album, I think. The band has developed a unique style over the years that differentiate them from others - no one like Opeth. "Watershed" continues the refinement of that style. This album marries heavy side of the band in "Deliverance" album with soft side in "Damnation" album. There are beautiful acoustic passages which lead into intense death metal with heavy riffs followed with all kinds of lengthy progressive and experimental passages. The progressive elements are larger ever before.

Observe the opening track "Coil, which is basically an acoustic song featuring duet melodic vocals by Akerfeldt and guest female vocal from Nathalie Lorichs. You might not believe that Opeth has ever made a song as mellow as this. The track "Heir Apparent, brings you to usual Opeth music with louder and more extreme notes that lead the album into the different styles in the same song combining mellow and deat metal riffs and growling vocal. I personally enjoy this track because I cannot expect what happens next. Each passage flows wonderfully to the next one with relatively unexpected fashion. The guitar and drums work so dynamically. There are musical breaks with acoustic guitar and flute-like sound which make the music is rich in textures. The death metal part does not seem to threaten me because there are many excellent melodic breaks.

"The Lotus Eater" starts acapella in the vein of PFM and I have never expected that suddenly the music blast off louder in death / black metal vein using high register notes growling vocal. It's a great surprise to me! There are musical break with mellow guitar solo combined nicely with piano. The next track "Burden" starts mellow with long sustain keyboard sound. The song is in relatively slow tempo with great guitar work. I have listened to "Porcelain Heart" (edited version) from bonus CD provided by Classic Rock magz previous month edition. It's truly a great song with some flavour of Porcupine Tree music. It's a wonderfully composed song.

"Hessian Peel" starts ambient with nice acoustic guitar improvisation. For the first 2 minutes the song moves in mellow style followed with drum it moves louder even though the tempo is still slow. In the middle of the track the song goes crazy with its blast of death metal music. This is very nice for me because I love metal music. Akerfeldt sings wholeheartedly followed with great guitar solo. On the remaining three minutes the song turns down into softer style. "Hex Omega" concludes the album nicely. The music reminds me somewhat with the style of Porcupine Tree "Fear of A Blank Planet". This is an awesome concluding track.

Overall, I rate this album by Opeth highly and I believe this is the best Opeth album I have ever heard. I have no hesitation giving this album with a five star rating due to its brilliant songwriting, composition with high degree of diversity and excellent musicianship. Highly recommended. Keep on proggin' ..!

Peace on earth and mercy mild - GW (i-Rock! Music Community)

Gatot | 5/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Share this OPETH review

Social review comments () BETA







Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives

Donate monthly and keep PA fast-loading and ad-free forever.