COME FLY WITH ME

Assumed they should be another incarnation of a British legend England, but surprisingly they've finished recording this material in November, 1975 already. Their definite masterpiece 'Merry-Go-Round', that features enthusiastic voices, dramatic plus psychedelic keyboard works, deeply heavy drumming and bass explosions, must drive me crazy and thoughtful.imaginative. Their days when progressive rock scene might be upon the phase of decline should be full stomach in another sense I guess, and even such a low-qualified, unpolished album 'poorly produced and mixed' (it says this album was created as a demo version for the following album and it might not be known why P'le Records released this material, but who cares?) can make the audience dream a fantastic dream with their rough but flamboyant passion for progressive rock. There are a lot of cases a well-refined album cannot impress us anymore, I imagine?

We can call this obscurity as another art rock salad mixture with heavy, psychedelic, and symphonic directions. Variation of soundscape cannot be heard enough but rough, fuzzy diversity in kinda 70s progressive cage we can find out via this album. Ethnicity or weird keyboard-oriented colourful psychedelia sound excessive especially in a short track "Death Rebirth". Bluesy battles of guitar and keyboard plays with dry-fruity female voices give us a hint of French-based fashionable vibes in "Viens Voler Avec Moi". There are other cool but poppy catchy song messages here and there (and pity that not all of them cannot be felt innovative) but well understood they might have got massively inspired by psychedelic rock / art pop vanguards, and it makes sense this 'demonstrated' work would have been dedicated to their pioneers. Basically unpolished but splendidly powerful intention we can notice via their mystic creation. Worth listening to.