SHEKINA

Opening with one of my all-time favorite 'happy songs', "Joy!" (3:54) (10/10) a song that just grooves and gets into your bones so that you can't help but get up and dance, be happy, the rest of the album is interesting for the range of emotions it takes the listener through.

2. "Yen-Lang" (8:10) retains more of the band's Zeuhl foundations with its quiet start and slow build using a pulsing, bass-infused almost single chord (single key) melody line. Flute and strings are awesome on this one. (9/10)

3. "Zohar" (10:53) opens at breakneck speed with all band members laying it all on the line--though none more than drummer, Jean-My Truong. By the third minute the music transitions radically to an all-strings format. At 5:00 bass, drums, keys and percussion sneak back in while strings disappear. Cahen's experimentation with keyboard sound takes over for a bit. Though the band is tight in their occasional ensembleness, the song lacks cohesion and overall feels a bit more like a experiment in experimentalism. (8/10)

4. "Metatron" (8:17) opens with Zeuhlish voices and sax and bass before taking off on a run through a series of challenging sections of disciplined precision-timed chord sequences. At two minutes, driving bass and drum race us along while keys, horns and voices move at a deliberately contrasting snail's pace. Things finally shift around the frenetically paced drums as bass and keys open the way for some sax and keyboard solos. Very reminiscent of both Weather Report and even Brand X. Impressive song. Impressive drummer! (9/10)

5. "Zita" (4:38) opens quietly with strings and electric piano weaving into a little soundtrack chamber music exercise with a kind of sound similar to Eberhard Weber or Vangelis. The presence of the lone soprano voice slightly in the background is a cool effect. Beautiful and peaceful. (9.5/10)

6. "Bakus" (5:13) is just weirdness--though keys, bass and drums really put their Zeuhl chops on full display here. Really it's just Seffert's vocals--sounding more like the fore-runner of those from 21st Century Japanese bands Koenji Hyakkei or OOIOO. Solid song. (8/10)

Though Seffers, Cahen, Prévost and the rest of the band continue to move farther away from their Magma roots, and more into that of the Jazz-Rock/Fusion sub-genre, this is still an album I'd classify as 'Zeuhl'--unlike their next one, Kawana, which is pure jazz fusion (despite the addition of violinist Didier Lockwood). There's something I like so much about this album. Kind of like the way I feel about AREA's Arbeit Macht Frei versus the more polished and virtuosic follow up, Crac!

4.5 stars.