OUR PUZZLING ENCOUNTERS CONSIDERED

The mathcore metal mutilators of melody PSYOPUS returned to terrorize the world with their second album OUR PUZZLING ENCOUNTERS CONSIDERED three whole years after their debut. And just like on "Ideas Of Reference" continue their highly technical noisefest led by the avant-shredder guitarist Christopher Arp who frenetically whizzes up and down the scale so fast with his tapping techniques that you have to be nimble minded to keep up with it. While most of the crew signed up for a second album, drummer Jon Cole did not and is replaced by the equally hyperactive freakish pummelations of Greg Herman. OUR PUZZLING ENCOUNTERS CONSIDERED pretty much picks up exactly where you'd expect if you've heard the debut. It unapologetically bursts onto the scene after a brief ambient intro and pummels the senses with extreme technical wizardry and the insane asylum electrocution style vocals of Adam Frappolli who sounds like he's close to puking up his entire digestive system.

Unlike the previous album, this one has a lot more sound effects and while "Ideas" had a few segments of clean guitar jazz-fusion inspired instrumental passages, PUZZLING offers two time outs from the frenetic display of audio apocalypse. "Imogen's Puzzle Pt 2" is pretty much an extended theme of "Imogen's Puzzle" from album one. On this instrumental workout Arp really shines as he not only delivers all kinds of strange chord progressions and guitar tapping but creates a vast array of moods with ambient passages as well as shredding like there's no tomorrow. "Siobhanis Song" is the other piece that slowly builds up from an album defying melodic ratcheting up of melodic harmonies of guitar and builds to higher intensity. It is actually light and fluffy and one of the rare pacifications before the Über-brutal "Happy Valentines Day" jumps back into hardcore extremities.

Obviously this is about as extreme as metal can get with with musicians dishing out a shotgun approach of energy that is designed to irritate and annoy and create the most dissonant and hardcore noise there is possible but this music is not noise for noise sake. These compositions are meticulously crafted in their little nerdy worlds and can be deciphered with great effort. While there is nothing on this album that will convince anyone who has already run for the hills once they heard the debut, this is a highly unique album with all kinds of guitar tricks and trinkets being back up by the absolutely insane vocals, bass and drumming skills of the band. While for the most part you have to enjoy being the ball in the pinball machine that is randomly beat and smacked every which way in random and unpredictable directions, if you have a tough skin you can actual penetrate the musical compositions. While i really love this kind of music when i'm feeling like a middle-finger to the world, there is one highly ANNOYING part and that's the hidden tracks at the end that has a recorded phone message of a girl going on about sheet and when she says the word ANNOYING, it repeats for 23 minutes! And if you have the patience to sit through this (yeah, i did once and only once, there is an unnecessary Red Chord cover song ("Catelepsy") at the end. Only for the most adventurous audio abusers out there.