MORNING SUN

Eclectic fare from world traveller guitarist Gadi Caplan. Some songs are folk, some world (Indian), some pop, some jazz, a little infusion of Canterbury style, a lot of instrumental, several with pleasant vocals. A very pleasant journey. I found myself thinking of Roy Harper's Stormcock throughout my first listen to this material. Successive listens have slowly revealed the surprisingly wide diversitty in sounds and styles covered on this album--though throughout Gadi's electric guitar sound choices are always unusually clear, crisp, and concise--kind of like those of Roy Buchanan or Blue 'yster Cult's "Buck Dharma" Roeser in the 1970s.

1. "Hemavati" (3:42) is a wonderful horn-backed soft rock instrumental with beautiful, sensitive guitar play performing the lead in a way that is, to me, reminiscent of blues legend Roy Buchanan. (9/10)

2. "Island" (5:33) is a gorgeous little folk song in the style of 1990s STEVEN WILSON/ PORCUPINE TREE--one that makes you appreciate more the genius of SW in that time period. (9/10)

3. "Good Afternoon" (2:25) the only song on the album that I don't absolutely love, it's more in an acoustic blues style though quite reminiscent of some of HARRY NILSSON's songs, it continues to dsiplay Gadi's extraordinary skills in vocal arrangements, lead guitar play, and production. (7/10)

4. "Vivadi Swara" (5:39) opens as a pure ROY BUCHANAN song with acoustic guitar and synth providing sparse background support for the sensitive lead electric guitar work. At 1:38 the song opens up with strummed acoustic guitar, full band support and Gadi's whispery, jazzy lead vocal. I hear a little George Harrison in this one. Such stellar songwriting and production! A true gem! (9/10) 5. "Morning Sun" (4:14) a sparsely constructed folk song that truly feels like it came out of the mucis catalog of 1970s HARRY NILSSON or the introspective side of ROBERT WYATT or JEFF BUCKLEY. Extraordinary and beautiful! I love the wooden flute play, too. (10/10)

6. "La Morena" (5:46) opens gently but with vocals joining in almost immediately. The vocals are very beautifully executed--quite like Coldplay's CHRIS MARTIN. I love the BEATLES-like contribution of the violin and Gadi's finishing vocalizations. (9/10)

7. "The Other Other Side" (5:14) from my very first listen this song has been my favorite. A bit more dynamic and electric than the previous six songs, this one also has a little more diversity in way the accompanying instruments are presented. Sounding slightly PINK FLOYD-ish, slightly Hawaiian, though mostly Harry NILSSON and STEVEN WILSON-ish, this one has the gift of an extraordinary vocal and an awesome bluesy guitar solo in the final minutes. (10/10)

8. "Lili's Day, Pt. 1" (2:49) opens with quite an different, synth-dominated trip hoppy sound and feel--here bringing to mind some of the work of some of the early Post Rock bands (like Tortoise and Bark Psychosis). Great groove! (10/10)

9. "Lili's Day, Pt. 2" (2:28) continues the Post Rock sound with its great guitar weave while adding a Dick Parry-like breathy sax to take the lead. (9/10)

10. "Lili's Day, Pt. 3" (1:50) sees a shift in the music starting with the eery militaristic drumming, minor chord synths, and more sustain-effected guitar lead. (8/10)

11. "Lili's Day, Pt. 4" (2:37) shifts into a more straight rock mellow outflow with the violin and strings synths taking the dominant lead in presenting the melodies. (8/10)

A near-masterpiece of progressive rock music, this is a type of clear, clean, simply constructed song production I wish there was more of in this day and age. Beautiful. Do check it out. Highly recommended.