OCEAN MACHINE - BIOMECH

"Ocean Machine: Biomech" is the debut full-length studio album by Canadian artist Devin Townsend. The album was released through HevyDevy Records in July 1997 (Townsend´s own label). It was originally recorded under the Ocean Machine monicker, but was changed to be released as a Devin Townsend solo album instead (the original Japanese press of the album featured the Ocean Machine band name). Townsend had at this point already made his mark on the music scene, recording and touring with Steve Vai and subsequently touring with The Wildhearts, releasing the first and second Strapping Young Lad albums "Heavy as a Really Heavy Thing (1995)" and "City (1997)", and also releasing an album under the Punky Brüster monicker (which many consider his first solo album).

Anyone familar with the preceding releases by Strapping Young Lad will not be surprised by the layered soundscape on "Ocean Machine: Biomech". Layers upon layers of keyboards/synths and guitars are key elements of Townsend´s sound, and although the overall sound on this first solo album is very different from the sound of the Strapping Young Lad albums which came before, the massive wall of keyboards/synths and guitars are similar on the two projects. Stylistically "Ocean Machine: Biomech" is an ambient, atmospheric, and at times quite melodic type of progressive metal. It´s often relatively repetitive and slow building, and although some tracks appear a little simple in structure, the many layers of notes and sounds make the compositions sophisticated and quite intriguing. Townsend predominantly sings clean vocals on the album (again an element which is different from the predominantly aggressive screaming/shouting vocals he performs on the Strapping Young Lad albums), although the occasionally more raw sounding scream/vocal part can be heard.

"Ocean Machine: Biomech" is a pretty long album featuring 13 tracks and a total playing time of 73:58 minutes. Townsend had obviously composed material over a longer period of time, which didn´t fit his other projects and now was the time to release it to the world. "Ocean Machine: Biomech" is the kind of album which can be that long and not feel like it though (although a few of the longer tracks towards the end of the album are maybe slightly too long for their own good), as Townsend takes the listener on a dynamic journey with both mellow ambient moments, and the above mentioned louder and heavier wall of sound approach. The two shorter ambient songs "Sister" and "3 A.M." are for example placed strategically well on the album as track number 5 and 6, because after the massive wall of guitars/keyboards, and vocals on the first four tracks of the album, a mellow breather or two are needed. It´s not in any way a critique of the layered music, but with so many layers and so much going on in the soundscape it´s sometimes a bit difficult not to get lost, which is why the mellow ambient moments are perfect for the dynamics of the album.

The musicianship is on a high level on all posts, but it´s of course Townsend´s vocals and commanding delivery which are the dominant focus. If I have to mention one thing that´s not fully up to par with the remaining parts of the compositions/performances, it would be the drumming. It´s not bad quality drumming, but it´s sometimes very basic and a few more interesting rhythm patterns or fills could have made that part of the album a little more rewarding. Something similar can be said about the drum production, which is also what I´d mention if I have to say something slightly negative about the otherwise pretty impressive production values. A slightly more organic sounding drum production would have made the album a better sounding release.

Upon conclusion "Ocean Machine: Biomech" is in most ways a very impressive debut solo album by Devin Townsend. Although it´s quite melodic and some tracks are relatively hook laden, it´s not an easily accessible release, and it´s the kind of release which deserves a lot of listens before being evaluated. One of the obstacles is of course the long running time of the album, but another is the repetitive ambient nature of some tracks. As a listener you have to adjust to the fact that it´s not a heavy metal album loaded with catchy and powerful guitar riffs, but instead an album focused on creating massive multi-layered atmospheres. Townsend is truly a mastermind musician, and "Ocean Machine: Biomech" is just one of the products of his ultra creative mind, but it´s not the most perfect example. For that some songs drag on a bit too long and feel a little aimless, but it´s a minor issue, considering the generally high quality of the material and a 3.5 star (70%) rating is still deserved.

(Originally posted on Metal Music Archives)