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DIAMOND JACK AND THE QUEEN OF PAINKevin AyersCanterbury Scene2.35 | 14 ratings |
From Progarchives.com, the ultimate progressive rock music website
Boojieboy
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Definitely NOT progressive rock, more like new wave. This is one of Kevin's strangest albums. The album was
commissioned by someone else, and Kevin basically had to turn over control to the producer (his musicians, his
production, his ways, his ideas). The biggest offense is using an early drum machine, keyboard bass, and sometimes
electronic drums in place of real instruments and a real rhythm section. They sound quite cheesy at times, and sort of
like Devo in areas, which is so not Kevin Ayers. This is almost like 180 degrees away from what he was about.There are some decent songs on this, including 1) the heavier lead-off track Madame Butterfly, 2) probably his best version of Ollie Halsall's song Steppin' Out, and 3) Lay Lady Lay. There are several versions of those last two songs on other albums, but these might be the best. Probably the oddest song here is Who's Still Crazy? It's such a synthesized departure of Kevin's music, that he kind of rambles on in the vocal booth, obviously trashed and drugged, probably the only way to deal with the difficult situation. I understand now why this album is so hard to find. I wouldn't be surprised if even some fans have even hidden it or removed them from circulation. There's probably a fear of giving people totally the wrong impression about Kevin. Despite the criticism, it's still a stronger album than the last two bland duds that he released (Still Life With Guitar and The Unfairground). There's still some energy there and some life, even though it stuffed under a synthesized mess. There's more rock and drunkenness too, which is missing from his later albums. I gave it 2-stars for the prog and rock community at large. For Ayers fans though - those who get him - I'd give it 3 stars.
Boojieboy |
2/5 |
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