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TRILOGYEmerson Lake & PalmerSymphonic Prog4.15 | 1904 ratings |
From Progarchives.com, the ultimate progressive rock music website
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![]() If "Trilogy" and the subsequent "Surgery" rank among the trio's great achievements, it's no accident. "Tarkus" took them in a new direction, and their musical styles flourished in this conjoined creative environment. It's not simply that they complemented one another, but that they drove one another to excellence. Listen to Keith Emerson's spacey solo on "From The Beginning", Carl Palmer's tireless rhythms on "Trilogy", or Lake's brave handling of "The Sheriff", and you'll hear how each member could push the dialogue past old boundaries. Though it proved to be an unsustainable level of activity, "Trilogy" remains one of ELP's finest achievements, and thus one of the great records in the annals of progressive rock. It's amazing to think that listeners would soon dismiss this music in favor of punk, when the same revolutionary sentiments are at work in each. Of course, prog (at its best) required superlative musicianship, while punk crashed down the gates to let anyone in. Both will become blips in the big musical screen with time, but with the distinction that punk coldcocked convention while prog (in the person of works like "Trilogy") outdueled it in a swordfight of youthful grace matched with an admirable cunning.
daveconn |
5/5 |
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