REVENANT

Poland strikes again with the debut album by Corral, a glittering affair full of intense melancholia and fiery personality. Many recent Polish bands have chosen a female vocalist to lead the crew such as early Quidam, Albion, Strawberry Fields, Nemezis , Beam-Light , Soma White and Moonlight to name a few, and the results have been stunning! One wonders what the girls put in their 'little water' (wodka). The band from Katowice is led by Agnieszka Kot and husband/brother Grzegorz Kot on guitars as well the Burda brothers , Pawel on bass and Piotr on keys. Drummer Krysiek Cudny completes the line-up. They have been honing their chops, patiently gigging and practicing until ready to release this first exercise. Harder-edged than Collage or Satellite, Corral prefers the raunchier sound espoused by State Urge and Soma White, a modern neo-prog approach that shows off some sensational moods from a variety of colorful keyboards, as well as some sturdy guitar phrasings that are often closer to Robin Trower than say, Mirek Gil. As is often the case with Polish bands the rhythm section, the sound and the production are strictly first rate. What makes this debut so exemplary is the sheer quality of the songs, expertly delivered by Agnieszka's expressive voice but fashioned on simple but concrete musical platforms that choose to exhilarate rather than subdue with technical prowess.

The premise is set exuberantly with a brief intro, the dreamy modern electronics of 'The Transcendence', a sonic plateau overlooking Tangerine Dream and Enigma-like landscapes with heavy drums, a perfect segue into 'Music in my Head', a delectable opening song that grabs you by the jugular, Agnieszka Kot's vocal screeching very near Olivia Sparnenn (Mostly Autumn) and Anne-Marie Helder (Panic Room) territory, quite an accolade as those two women can certainly croon like the wind. Spooky synth-drenched piano and propulsive drumming give this tune a life of its own, immediately providing a real sense of what this band seeks to achieve. Bold, savory and highly melancholic.

There is no relapse or easing the pedal on the next three shorter and crunchy tracks, starting with the mesmerizing 'Are You Game?' a celestial bluesy lament that hearkens back to the style espoused by bands such as Karnataka and the sadly missed Breathing Space but with a thicker guitar sound, with slithering thunder as its main asset. This is shadowed by a blistering short rock song 'Silly Naive', a steamrolling plea for reckoning, something each person has been guilty of at least once. The plunging guitar tone really adds a great amount of grit, giving this song as well as all the others a dirty, smudged and sooty sound. As a historical footnote, Katowice (along with Nowa Huta) was once an economic disaster area due to intense pollution and industrial mismanagement by the Communist regime in place after WW2. 'Lavender Bed' is the third brief track and another raunchy delivery to please all the sweat hogs out there, morphing into a profound bass-fueled groove that rocks, a compelling style that knocks all the feathery fluff right out the window, aromatic vocals only adding to the thrill, showing off the lady's awesome voice.

The next two pieces are longer (in the 7 minute range), form the core of this interesting release and really stamps the seal of approval on the entire package. The kaleidoscopic 'Myself' is a longer piece that is way more developed in terms of mood, vaulting the vocals into the higher registers of pain and melancholia, slipping from exalted to dreamy with little effort and letting the music take the theme to higher plains. Grzegorz Kot unleashes a few molten riffs that will bowl you over, twirling near heavy metal growls. Loaded with various effects, samplings and basic audio wizardry, the essence of Corral is perfectly exemplified here. 'Through the Touch' is almost a companion piece, same length fueled by pinging synths, cutthroat drum fills, plunging bass pirouettes and that damned harsh guitar. The mid-section furthers the aggression, screeching axes, pounding rhythms and extraordinary soloing by all players. Agniewska really expands her lungs here, convinced and convincing, as well as desperately passionate.

'Snowy' hits hard again, even though the upfront piano seeks to add some ornate beauty to the score, the guitars, bass and drums thumping like Riverside heavy. The relentless keyboard serves as a solid platform for the lead vocalist's howling harangue, reaching overt status on the chorus. Finalizing this sparkling debut with a sweeping slice of affectionate beauty, the unrelenting 'His Eyes' is the most immediate track, a heavy love song nevertheless shoved along by a raging guitar motif as well as some serious rhythmic dynamics. Drummer Cudny bashes mightily while the synth solo has as highly contemporary sheen, almost Barbieri-like, until the boom-boom-tchak guitar riff slams the listener right between the ears. Once again, the vocals are way up there in terms of exaltation, Agnieska must be some sight in a live performance context (there are some vids out there to prove the point). Great finale.

This harder-edged form of modern prog has taken quite a foothold in Poland with similar styled bands really creating a buzz both locally and beyond. The new breed has not just the brilliance of State Urge but also the edgy tension of Soma White, two new bands that are causing quite a stir in progressive circles. Lovely artwork and the generation of a true buzz in the ongoing Polish scene. A band to 'enclose' and embrace.

4 Polish cowboys