HAMEL

Maybe also, a not so distant connection to Terry Riley's ideals and aesthetics in music composition ("Fire of Holy Eyes", track 4 is proof of it).

Michael Peter Hamel founder member of "Between" a Krautrock 70's band, kind of got his way out of the average "prog" scene, due to his actual work with not exactly "rockers" or "proggers", John Cage could hardly be considered neither.

In short, "HAMEL", 1972, has everything in terms of proposals in musical language. Some are true to the progressive electronic spirit (his own of course), others are more inclined to Cage's sonic experimentations with unorthodox approaches and intervention of their acoustic instruments. (eg: the use of the acoustic guitar's body as a percussion instrument.). Others are slow minimalistic "drone-like" pieces, which as Riley's music, also project a more "spiritual" cadence with enticing and mysterious musical lines.

Rich and sober, original in its variety of musical ideas and true to its own musical quest, this project has stood the test of time, by sounding in this 2014, fresh as new.

What else is needed to become an "essential" Progressive Electronic lost jewel? For electronic proggers only.

****4 PA stars+my review.

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