THE BRIDGE

Although its cosmic and symphonic elements probably make 1969-1970 King Crimson a more accurate reference point, I find much of this music surprisingly reminiscent of some of Adrian Belews 80's work with Talking Heads (except with many more moods, tempos, and arrangements).

Vocals are strong throughout, often evocative of (a more precise version of) John Wetton. In rare sensitive moments, however, they sound oddly similar to Gabriel-era Genesis. There is a certain restrained, non-heavy, non-metallic vibe that may come across as a lack of urgency and low level of energy to some listeners. That said, The Bridge has much worthy of recognition and appreciation: dramatic flair, varied symphonic arrangements, tastefully angular guitar, bass lines which are actually meaningful within the compositions. Unfortunately, the ability to appreciate them is to some extent dependent upon one's ability to disassociate this album from Cathedral's classic 1978 debut, a feat which some prog fans may have no desire to attempt and one which the majority of the remainder may find difficult to accomplish.

If this band is guilty of anything, however, it is perhaps only the transgression of actually trying to catch lightning in bottle a second time after all these years. Even so, I respect them for having the courage to 'give it a go' in a new and different way this time around - so many years after their beloved debut. Recommended.