TRILOGY

Emerson Lake & Palmer

Symphonic Prog

4.15 | 1878 ratings

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OpethGuitarist
Prog Reviewer

Bright and jolly, but ultimately tiresome.

After the darker Tarkus epic, ELP produce the much more maligned Trilogy, which seems to be closer to BSS in sound, and as some may know, I feel it's overrated rubbish. Too often I find bands being pardoned for their weak songs as a sign of the band having a "sense of humor". Strange that these ideas are never looked at in another way, in that, maybe others do have a sense of humor, perhaps we have a knack for good comedy, and think of the musicians as just plain bad comedians.

Such is the case with ELP here again, with "The Sherrif" among others. It's just filler for ELP's quest to stray as much from songwriting as humanly possible, to in a strict sense, masturbate with their instruments. Take away the flair, the gaudy lights display and marketing of a big name, and we are left with little substance - little music. ELP are more than able to play their instruments, but as evidenced by the circus of Endless Enigma, the slow and rarely captivating From the Beginning, the "we need an end to this long solo effort" on Trilogy (which actually has a good piano section at the beginning), and the overextended march of Abaddons' Balero, one wonders if ELP ever had a concept for songwriting.

Such is the case for how I see most of this record. If you're looking for virtuosos of the instruments, you will find much better elsewhere, and if you're looking for songwriting you'll find much better across almost all of prog. However, if you are looking for a big show with lots of lights, spazz, and a big name to market, Trilogy might be right for you.

OpethGuitarist | 1/5 | 2006-12-28

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