GOLDSTAR

Ominous Art Deco Sound

The architects of elegant and brutal chaos return with 'Goldstar', a work directly inspired by the vast monstrosity of their hometown New York. In just under 39 minutes, the trio builds a wall of sound that feels like Manhattan beneath skyscrapers warped by madness.

The album proves that avant-garde can be accessible without losing its edge, deploying their signature extreme metal with jazz elements and dissonant sections efficiently and concisely. The production is raw, one thanks the controlled maelstrom that so characterizes their style. The atmospheres are built with precision, and harsh textures and arrangements are integrated to enrich the final result. Furthermore, contributions from figures such as Dave Lombardo and Tomas Haake add interest to the album.

Despite its dense layers and evident complexity of execution, 'Goldstar' feels direct. Part of this is due to its length, which is long enough for the band to develop their approach without overwhelming the listener, something many of their contemporaries fail to grasp. Shorter pieces, such as "NEWYORKCITY" and "Goldstar" (for some reason, the latter giving me a mental image of the video game 'Fallout',) serve as effective transitions, ensuring a steady flow. In "Gomorrah Nouveaux", the phrase "High class, low life" encapsulates the band's critique of the decadence they find in their surroundings; they translate the combination of superficial luxury with deteriorating morality into music that is precise but, at times, could take more risks.

In the end, this album stands as a new sonic cathedral, built upon the crumbling foundations of the city that so inspires them. IMPERIAL TRIUMPHANT remains consistent in its form, but too comfortable within its own limits. The execution and the idea are impeccable, but the lack of creative boldness leaves the feeling that they fell short of their own potential. It's a good album, although one that leaves the impression that they could have gone further if they had dared to challenge their own rules.

Music: 3 stars

Lyrics: 3 stars

Execution: 4 stars

Emotion: 2 stars

Production: 3 stars

Artwork: 3 stars

Average: 3

When I think of black metal, I never really picture cities as a visage point. Usually I imagine dark, gloomy forests, snowy mountain tops, maybe even the occasional medieval weaponry. But New York? Now that's something different in the black metal sphere I never thought of, though a city could theoretically work. A concrete forest oftentimes can hide the cruelties of man just as well as a forest can. In a way, that's where Imperial Triumphant's newest release of Goldstar comes into play.

I knew of Imperial Triumphant from their 2022 release of Spirit of Ecstasy. I liked that album, but not enough for me to revisit it over and over again. However, I was pleasantly surprised the moment I heard Goldstar, as not only was it really good comparatively, it made me more interested in checking this band out more in the future.

I've never been the most huge on dissonant black metal, but I have always been quite in favor towards avant-garde metal, and hearing them combined is always quite a treat admittedly. Imperial Triumphant creates a storm of chaos through each of their chords and percussion-lines that range from Gorguts-like technicalities, to old school Ulver blackness. It is honestly really enjoyable for what it's worth, and adds a lot of weight to a pretty short album.

I also really enjoy the concept here, being an album based around the quote unquote 'sounds of New York as we hear them'. They take the ideas of metropolitan United States, and mashes the commercialism and constant ads of the city's skyline as a sort of occult-like nature. In an offshoot way, this album did release at a perfect time when you consider American politics. I know, I know, we're all tired of political nonsense, but hear me out. With America politics becoming more and more in favor towards the rich and wealthy, especially when we have a bumbling rich idiot in office, with a fascist wealthy brat who cannot make a car for God knows what right by his side, viewing these aspects of American greed and consumerism as a sort of cult wouldn't be too far off. I mean, what's too different from a Satanic cult in comparison to the diehard bigots who support our current president's every move?

I do think sometimes the execution of this concept can be a bit too hamfisty, like with the 'hail satan my child' part, and the entirety of the title track. Kind of wish they did more subtlety within the lyrical aspects. It's a really good concept, again, but I don't think the lyrics are the best aspect here. In fact I do think they're kinda the worst aspect on the record. Great concept musically and conceptually, but written on paper'it could use some work.

Safe to say, Goldstar is a gold star of a black metal record. It has a lot of things one can love from a good ol' bm album, and many more. I definitely say check it out, cause it's not only a really fun time, but certainly an album for a modern day America happening right now.

Best tracks: Eye of Mars, Gomorrah Nouveaux, NEWYORKCITY, Industry of Misery

Worst track: Goldstar