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Piah Mater - Under the Shadow of a Foreign Sun CD (album) cover

UNDER THE SHADOW OF A FOREIGN SUN

Piah Mater

Tech/Extreme Prog Metal


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4 stars This band comes from a region in Brazil that's not among the responsible(s) for the best prog metal releases on the country. It's easy to confirm this by looking to the most important groups that has appeared in Rio de Janeiro. Tempus Fugit, Quaterna Requiem, Caravela Escarlate, Aether, Jubal Troupe, Kaizen, Index, among others that take usually the symphonic prog path for their artistic expression. Some exceptions, for instance, like the group Organic Reaction, which released only one great album. Or Sleepwalker Sun, that's not exactly from Rio de Janeiro, but from a neighboring municipality. Well, as prog metal is not my favourite musical genre, I may be wrong. Please let me know if its the case. Nonetheless, if I'm correct, now I can say that there is another exception. Piah Mater. With mature composition skills and a lot of work, they already released three albums. This review is about the last.

Excelent phrasings on the synths are performed on its beginnnig. The musicians and the gutturals give space one to each other, so the listener can figure out clearly all of them. Besides, they soon present a considerable variety of arrangements and times, without getting confused. On the contrary, cohesion is sustained almost all the time. Still on the first track, some backing vocals complefixy the vocal harmonies, and it becomes even more rich because there are some non-guttural vocals. I truly enjoy this versatility. The bass playing is awesome, consistent and accelerated. So, after a few blinks of my eyes, this song was over.

Next track starts smooth, intimate. They quickly get heavier, using those initial phrases. This composition is quite similar to the previous song. With three diferences: bass is not so proeminent; there are three singers this time; and because of brilliant interventions on the saxophone.

Third track is an acoustic short piece, that works very fine as na interlude. It's all guitar fingering.

The first part of fourth track is heavy, but more close to a slow timing than to a fast one. They surprise me when the composition goes to a more acoustic set. At least for me this is an inversion of a cliché: it's more common, not only in prog metal but also in other musical genres, that when there is an acoustic excerpt, it's almost always placed in the beginning. Well, after this part, they return to the prog metal vein. Vocals are particularly inspired, very emotional. Fabulous contributions from violin and cello bring even more lirism to the executions.

On "Terra Dois", guitars and vocals are a bit more sober at the first moment. Closer to the middle of the song they become heavier, and harmonies increase on complexity. On the second half, violin and synths perform a wonderful symphonic duet. Besides, some rythmic sections are flavoured by some slightly jazz feeling. However, the end of this track is a bit confusing.

The beatiful introduction of the last track consists of dialogues between flute, cello, acoustic guitar, viola and vocals in portuguese, of the highest level. It's a very interesting proposal, that sounds like a lament, with a tiny Tom Jobim touch. This goes on until a bit after the half of the song, when they get heavier, but without abandoning the lirismo, because the violin still keeps accompanying almost all the time. What makes this song a fine example of symphonic metal.

4,3 on a 5 star scale.

Report this review (#3104281)
Posted Monday, September 30, 2024 | Review Permalink
4 stars Piah Mater's last album, The Wandering Daughter, was one of the first albums I ever reviewed for this site. I enjoyed it overall, but I did complain it was a bit too close to classic Opeth. Their new record is certainly still Opeth-y, but they've established a more distinct sound for themselves. Dashes of black metal can be heard throughout the record, and jazz elements are prominent. "Fallow Garden", in particular, has an extended sax-forward section which varies between smooth and harsh; and "In Fringes" mixes in folk-jazz between crushing riffs. Under the Shadow of a Foreign Sun does an excellent job of continuing Opeth's musical legacy without just sounding like a clone.

Review originally published here: theeliteextremophile.com/2024/10/07/odds-ends-october-7-2024/

Report this review (#3107652)
Posted Monday, October 14, 2024 | Review Permalink

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