SANCTUS IGNIS

Adagio is the creation of french premier guitarist Stephan Forte. In 2001, he surrounded himself with some very capable musicians for his debut album. He got David Readman (Pink Cream 69) on vocals and Dirk Bruinenberg (Elegy) on drums. Stephan Forte programmed the keyboards himself and obtained the services of Richard Anderssen of Majestic for all the complex keyboard solo parts. To round out the band you got Franck Hermanny on bass.

So, who is Stephan Forte?

At a very young age, Forte was heavily influenced by guitar virtuoso Ygnwie Malmsteen, and later by artists such as Shawn Lane and Allan Holdsworth. After practicing an average of 10 hours a day for what must have been most of his childhood life, Forte breezed into the prestigious "Ecole des Musiques Actuelles de Nancy" in France. His penchant for "baroque" music and "neo-classical" influences can be found spread all over his debut album.

Forte's guitar playing is simply impeccable. At times he will remind you of Yngwie Malmsteen and at other moments John Petrucci. You want specifics, then check out his commanding solos on the second half of "Panem et Circences" or his outstanding guitar work on the instrumental "Order of Enlil." In fact, you can actually select any track and find some truly amazing guitar work.

What to expect from Adagio's debut album?

The music here is heavy and very intense and true Symphonic Prog Metal doesn't get any better than this. Classical influences abound, progressive elements throughout, some double bass drums, passionate piano passages, crunchy guitar riffs and amazing guitar and keyboard solos, its all here for your enjoyment! There's no denying Forte's strong songwriting abilities. For orchestration purposes Forte used the "Avigon Symphony Orchestra" and for choir sections, "The Ensemble Vocal de Lyon."

Lets move on to the tracks, shall we?

What a great opener "Second Sight" is, just a wonderful song from beginning to end. The listener is introduced to Adagio in all its glory with piano, choir, orchestrations and great guitar lines in tow.

"The Inner Road" moves along a little more aggressively while "In Nomine" is a little more classically influenced and ranks as one of the highlights on the album.

The organ intro to "The Stringless Violin" left me breathless for a moment. This is an awesome track about facing death and accepting your life for what it is...a very emotional and powerful moment on the album! So much variety, so very rich, so very fulfilling!

"The Seven Lands of Sin" lies at the heart of the album. This epic track encompasses everything you might possibly want to know about Adagio.

"Panem and Circences" is another FAV of mine. This track just grew on me with each listen of the album, and of all the tracks I found myself anxious to hear this one again the most. The whole album is great but this track sort-a sticks out from the bottom half of the album for me!

What to say about Adagio's cover of Led Zeppelin's "Immigrant Song"? It is a refreshing interpretation...perhaps not the best I've heard but good nonetheless. The album includes a bonus track titled "Niflheim", 4 extra minutes of music for a total playing time of 58m35s.

There is an effortless feel and flow to Adagio's music. You will be mesmerized by it as well! I have always enjoyed progressive metal & symphonic power metal, but with the coming of Adagio, the quality of the music had never reached this level of overall satisfaction with me.

Genre & Style of Music played here - Progressive Symphonic Neo-classical Metal. Similar in a way to: Therion, Royal Hunt, Blind Guardian, Symphony X and Stratovarius.

Adagio is a symphonic prog/power metal band built around french guitarist Stefan Forté. As a french guy too, it's a shame I didn't discover this band earlier, because the music played here is of top quality. It's heavy, fast paced, very symphonic metal with a lot of classical influences, a cross between Blind Guardian and Therion.

The debut album "Sanctus Ignis" starts with "Second Sight" - a heavy rocker that sometimes reminds me of Tarot, with great guitar work. "The Inner Road" (presented on this page as a download) has more a Queensrÿche feeling - vocals and riffs really reminds me of Suite Sister Mary. "In Nomine..." starts with a classical intro, but then becomes really heavy though more classical parts will enhance the song further - a good symphonic metal song in the vein of Therion. "The Stringless Violin" starts again with a classical intro (organ, keyboard, choir) before becoming a very complex song - power metal (Blind Guardian style) blended with keyboard/piano interludes and guitar solos (one reminding me of "Lords of Karma" by Joe Satriani). "Seven Lands Of Sin" is the epic centerpiece of the album - this very melodic song is Adagio at their best. "Order Of Enlil" is an instrumental with the guitar really in front - here you can see the craftmanship of Stefan Forté... The title track "Sanctus Ignis" is a shorter song, heavier and faster but with still the classical interludes. "Panem Et Circenses" has a great symphonic intro/outro, but the melody and lyrics are the weakest on the album. "Immigrant Song" is the cover of a Led Zeppelin song - another instrumental showing the guitar skills of Stefan Forté. The album ends with the bonus track "Niflheim" - a demo version of the instrumental that will be featured on the next release "Underworld".

Rating: 96/100 (exceptionnal)

This album from the "French" act is based in a deep influence from the neo-classic rock (in a Malmsteen's way) and mixed with progressive elements (in this case sometimes). The guitar's work from the future guitar master Stephan Forté is absolutely great, in each note he catches the enough inspiration to show all his skills. the rest members of the band are in a wonderful moment of playing, especially the singer David Readman (from the german Hard Rock band -Pink Cream 69-), wow man!!! That singer, he's pure emotion during all work. In conclusion, this ADAGIO's first album is a good begin to a successful career.

Note: if you have the posibility to listen this album, you must have to listen their following album titled "Underworld", there they give us a class of symphonic (neo-classic style) and prog-metal at the same time.

Highlights tracks from "Sanctus Ignis": second sight, the inner road, in nomine, sanctus ignis, and panem et circences.

By: Epsilon

Great Symphonic Power Metal album!

Having been satisfied with the "Underworld" album, my journey to Adagio's music continues with "Sanctus Ignis" - the band's debut album in 2001. To my surprise, I also enjoy this album very much. Now I understand why my colleague metal friend Michelle told me long time ago that the band named as ADAGIO was a great and I thought that it must had been a metal band. Why? I heard the name of the band from a friend who is a metal head. He always talk about metal bands - of course including Dream Theater, Kamelot, Stratovarious and Yngwie Malmsteen.

My first spin of "Sanctus Ignis" just started, I think, about a month ago when I made a decision to ride a bicycle to work. Well, nothing matter actually for most people but it meant something for me. The first day I biked to work was started while listening to the full album of "Sanctus Ignis" and I did enjoy it very well. My journey of approx 50 KM (home - office - home) knew nothing on being tired or bored with the journey, even it made it fruitful and entertaining. Especially, I used a decent Senheizer earphone with a good audio quality that made my PDA MP3 player transmitted great quality. Of course, I did not enjoy this album only while biking. I did spin it also at home to get full enjoyment of the album.

Why liking this album?

There are many reasons on why I like this album very much despite the fact that this kind of music can be heard with bands like Symphony X, Kamelot, Yngwie Malmsteen, etc. Well, what I can tell you is that Adagio music is much grandiose than the others especially on combining the orchestra into their power metal style. I elaborate the reasons on liking this album as follows:

Power. Oh yeah . this album has "power" to elevate your emotion - well, it does happen with me in many occasion. There is no such thing as mellow track offered by Adagio throughout the contents of this album. All tracks full with energy and they flow nicely from opening track "Second Sight" right way through to bonus track "Niflheim". When I heard the opening track "Second Sight" my pulse ran faster than normal rate and my emotion boosted like a rocket. I feel like I'm running to my final destiny of life. It's very captivating right from the intro part, interlude of guitar solo by the band's leader Stephan Forté. Oh yes, of course there are some transition pieces where the music take curve lines into softer part with a very nice (and wonderful!) clavinet work like in approx minute 5:29. Oh my God . I like this music break! It continues beautifully with great guitar solo and powerful riffing of second track "The Inner Road" (5:45) where my pulse run even faster now because the music is more energetic. The peak of all power the music of this album produces is when the album title track is being played. Oh man .. It's so powerful and it serves as true pulse accelerator for me. This title track might be considered as normal power metal tune but it has great melody and wonderful interlude parts with classical touch and stunning guitar solo. Oh, I almost forget, that this also has powerful riffing!!!

Neat Composition. Power itself does not mean anything for me if the music is not neatly composed and put in an excellent arrangement. Fortunately, Adagio seems masterful on this issue because all of the nine tracks of this album are neatly composed. Bravo Stephan! And remember . this is just the beginning of the band's career and they demonstrated their capability already to the progressive metal world that they can compose excellent music. Why I say so is because of throughout the music Adagio offers many great subtleties that are lumped together nicely into the music. This includes how the band combines orchestral parts into different movements of the music. Of important notice is the band's interpretation of Led Zeppelin's legendary song "Immigrant Song" which the band takes instrumental approach to express their interpretation. Oh man, this is one of great covers that I ever encounter in rock music world. Adagio takes different approach in melody of the song and only maintains the riffs. The interlude part with eastern nuance plus violin work is truly amazing!

Melody. This wraps up everything required for an excellent music. If I got power and neat composition without excellent melody, it's gonna be a catastrophe for me. But that is NOT the case with this album. Each individual has its own nice melody that makes the music flows naturally and beautifully without any little flaw. The band has combined all the elements nicely: power, composition and melody so that the result is very captivating. Imagine if the band only sings the melody without good arrangement and necessary power (to add "drive") - it's gonna be a "dull" music. Even with the simple melody like track 3 "In Nomine ." (5:04), it tends to be boring. But the band has brilliantly added the classical touches and orchestration, plus excellent guitar and keybord works. It becomes so wonderful.

Why (you are) NOT liking this album?

Even though I appreciate this album highly, it might not fit your tastes. I try to figure out things that might not favor you for liking this album. First, if you do not enjoy any music with metal parts / influenced, you'd better not to buy this CD. Second, if your tastes so far are revolving around symphonic prog music like old King Crimson, Yes, Genesis, it's gonna be difficult for you to accept (and therefore appreciate) this album fairly. Third, you might be an Yngwie Malmsteen fan and feel getting bored with what so called neo-classical metal. Fourth, you want to hear something new because this kind music is not invented by Adagio. There were bands that did similar things before Adagio.

For me personally, this album deserves five stars rating. Keep on proggin' ..!

Peace on earth and mercy mild - GW

A NICE DEBUT WITH SOME THINGS TO FIX

It's been a while since I reviewed my last album, and I think it's time to get back to the business.

This is the first release that these French guys delivered to the Progressive Metal Scene and I think it's a pretty decent debut with its remarkable things and some little details that the band will eventually fix in their next work "Underworld".

One of the first elements to enhance in this album is the keyboard player, Richard Andersson, who shows what he's capable to do with his two hands over his instrument. He adds some dynamic to the band using some chorus effects alluding to Gregorian Chants, harps and a bunch of instruments used in a symphonic orchestra. We can call him "The Orchestra Man" in Adagio; he does something similar to what Jordan Rudess used to do on Dream Theater, the only thing that changes is that he's younger and he can explode all of his potential because keyboards on this type of bands have a lead role in all songs.

The other strong part is the crushing riffs that Stephan Forté brings to this release, using any kind of technique available on the guitar, he includes tapping, sweep picking, legato and some other resources as a nuance for his playing. Without a doubt, he is the support of the band.

So, you may ask, which are the weakest points? In my humble opinion, the voice is something that Readman would improve in his next collaboration with the band. I sometimes feel he's pushing too hard to reach those high notes. There are some instrumental passages that sound repetitive; in some parts it sound like you're listening to the same song.

Is it a good album? Yes. Could they get better? Of course, so that's why I'm giving them a 4 stars rating. They will get higher, and higher, and it's shown in the notes of the "Underworld" Album.

Are they the European counterpart to Symphony X?, I don't think so, it's more than that. They're born not as a response to someone or something else. They create a balance between harmony and a wise sense of their musical faculties manifesting the way they feel the music and not trying to be a vulgar copy.

Adagio is the musical concept from another disciple of the neo-classic treatment of electric guitar in last time, his name as some of you already know is Stephan Forté. A guitar virtuoso young promise from France (well, that was a decade ago) who could build a talented act, piece by piece for Sanctus Ignis' recording sessions.

Names like David Readman (main voice on German hard rock band Pink Cream 69), the veteran drummer from Holland Dirk Bruinemberg, the young skilled bassist Frank Hermanny (who's known for working not only in metal and progressive music, but also on jazz and pop music projects in France) and finally the man who's considered as the keyboard version of Yngwie Malmsteen (because of his speed, virtuosity, skill and both are from Sweden), Richard Andersson. They helped him to make his dream come true.

Sanctus Ignis was the first step into the professionalism in music for Stephan, but no one would imagine how powerful and ambitious his music would be. The record is highly enjoyable the most, they focus on existentialist topics in their lyrics, musically they develop a kind of 50/50, I mean, they distribute the melody and progressive marks as much as they give energy and virtuosity to each song.

Songs like "second sight", "in nomine", "sanctus ignis" and "paneut et circences" are authentic exercises of how to play classy prog-power metal while other tracks like "the inner road", "stringless violin" and specially "the seven lands of sin" take us through the complexity of guitar chords, catchy double bass changes, a remarkable work on keyboards and David Readman is taking the flag higher with every line helped by his plethoric voice.

Maybe I would say their only weak point (I must be honest about it) is the lack of originality, but who cares when stuff like this is made so well. To conclude this review I recommend you try to get the Japanese version, there you'll find a nice version of Led Zeppelin's immigrant song.

By: Epsilon.

Adagio's debut was a very promising album, filled with excellent musicianship, solid songwriting, and fairly good production. This album, along with the follow-up Underworld, are both excellent neo-classical progressive albums. Additionally, this album is the only one by Adagio that is completely devoid of death vocals (although Underworld had very, very few, and only on 2 songs).

The album starts strongly on Second Sight and flows very well. The classical influence is very prominent, yet not overwhelming and in fact perfectly mixed with the guitars, bass, and drums. Forte is a virtuoso-level guitarist, and his solos are both technical and captivating. However, Richard Andersson, while good as a keyboardist, does not provide the same experience as Kevin Codfert who would later replace him and be featured on all prior Adagio albums.

The album, overall, is a strong mix of classical music and metal. Forte composed all of the songs, and he did an excellent job.

Highlights: Inner Road, In Nomine, and above all Stringless Violin

Overall: 4.5

Considered by many to be the French version of Symphony X mixed with Rhapsody Of Fire, the progressive power metal band ADAGIO was formed by guitarist Stéphan Forté in the year 2000 after graduating from the CMCN music school (now known as the Music Academy International.) The band was initiated for the love of Yngwie Malmsteem's virtuosic neoclassical shedding style which Forté mastered without missing a beat. While ADAGIO would later develop a stronger symphonic side of its person a with choirs and elements of progressive rock, this 2001 debut SANCTUS IGNÍS showcases a fairly straight forward style of progressive power metal much in the vein of the US act Symphony X to the point that this could really pass as some lost album of the New York based prog metal champions.

The band originally formed in Montpellier in the south of France but has since relocated to Paris. Ironically the moniker ADAGIO is an Italian term that means "at ease" and refers to a slow tempo whereas the band itself is known for its extremely fast tempos. While not exactly cranking up a storm at the level of say Dragonforce, ADAGIO does turn up the heat on much of SANCTUS IGNÍS with the emphasis on Forté's neoclassical guitar shredding style however often it does site back in the mix while tapestries of keyboard sound dominate the soundscape. This album consists of 9 tracks and races past the 58 minute mark and while the album contains no sprawling 20 minute behemoths it does have one track, "Seven Lands Of Sin" that just misses the 12 minute mark.

When you're listening to SANCTUS IGNÍS you really just can't shake the Symphony X comparisons because at this stage ADAGIO is really the perfect clone of one of the US's most referred progressive power metal bands. There is a distinct classical underpinning for melodies with stomping guitar riffs that build up tension and climax with sizzling solos carried out with power metal gusto. David Readman has particularly strong vocals and belts out these demanding vocal performances with ease although his talents are overshadowed by the fact he sounds like a gazillion other vocalists out there which is pretty much the problem with ADAGIO's debut in every regard. This album simply lacks an ounce of originality that sets it apart from any other album in the demanding world of progressive power metal.

The saving grace of SANCTUS IGNÍS is that the musicianship is top notch and the album is not at all an unpleasant listening experience in the least. If you are hell bent for leather to track down every possible band that worships the alter of bands like Symphony X and Rhapsody of Fire then ADAGIO will give you orgasmic sensations until your eyes bulge out however like many bands of this ilk, ADAGIO at this stage is woefully bereft of inspiration and going through the motions for their own sake. Add to that the band isn't nearly as accomplished as either Symphony X or Rhapsody in constructing interesting compositions that display a wide range of motifs that construct a much larger movement. Music like this has to have a higher purpose that allows the progressive power metal to support otherwise it just feels like an empty shell. I would say that SANCTUS IGNÍS is superior to the first two Symphony X albums but pales in comparison to some of that band's later efforts. Extraordinary in execution but underwhelming in the compositional department.

3.5 rounded down

Adagio's first album, Sanctus Ignis, is good but rather generic. Lots of great guitar playing, good but very generic metal vocals, mediocre lyrics. This is not a Dream Theater clone--it's worse. It's a Symphony X clone. Granted, there are some guitar solos that sound remarkably like Yngwie Malmsteen, so it's not a perfect clone. As one would expect, speedy guitars are prominent.

It still manages to be a good album. The musicians are all extremely talented. The music moves quickly, and even if there's not much originality, it is still enjoyable music. "Stringless Violin" is a highlight, as is the instrumental "Immigrant Song," a great creative cover of the classic Zeppelin song.

Malmsteen and Symphony X fans will probably love this. Like cotton candy, it's quite tasty. But like cotton candy, when it comes down to it, there's not much substance. 3.5 stars.