ALTER EGO

Iconoclasta has to be one of the most iconic Mexican progressive rock bands ever, with over 40 years of existence and a rich amount of releases, they have definitely left their footprints and legacy on this musical genre. Bands and people are in constant change, and this time was not the exception, because after all the band members reunited some years ago for a wonderful 35 anniversary concert, they decided to put the band on a hiatus, knowing the different visions and life-plans each of the members had.

However, Ricardo Moreno and Greta Silva wanted to continue this project and accept the changes and all the challenges it implies, so now, as a two-headed band, they released in 2023 the album 'Alter-ego', whose title perfectly describes this new era. Released via Azafrán Media, it consists of 10 tracks and 2 bonus tracks, with songs composed prior to the pandemics (some reworks, actually), along with a couple of covers. Ricardo Moreno plays guitars, bass, keyboards and percussion, while Greta Silva plays bass and adds her great vocal skills.

Of course, since the first track 'La vida es...' we can appreciate the distinctive guitar sound Iconoclasta have provided for years, and with the vocals it seems that time has not passed and we are listening to the same essence they had since their 2009 release, the first one with Silva on vocals. I love 'Sacbé (Tributo a los hermanos Toussaint)', a heartfelt instrumental rendition to some iconic musicians from Mexico whose legacy in the jazz scene is undeniable.

The sound can be peaceful and tender, an example is 'Tita de Tito (Tributo para un gran hombre: A.E.R.), an instrumental composition that could work as a lesson for kids that want to enter to the musical world. But the album also brings some challenging moments where the prog rock essence is evident, like in 'Noche lluviosa de verano en Querétaro', which happens to be the longest composition, and, to my ears, my favorite track here. It is a challenging song and a proof that the duo compositional skills are intact, it has great changes in mood and tempo, it wonderfully flows and I particularly love the keyboard arrangements and the dymanic bass notes and lines. Great!

'Repítelo 28 veces' is a nice shorter track that takes us to Iconoclasta's 80's essence; and then the proggy soul returns with 'Viaje astral', which is to me another of the highlights of this album, and a proof of how great they understand each other in this new duo era because there is a moment where they share their skills with their instruments, creating passages full of freedom, like walking their own path, which at the same time, is the same for both.

'Manantial' is a rework from that classic track they released back in 1983, with their debut album. 'Hijo (dedicado a Albéniz Moreno) is a song they included in their 'Resurrección' album back in 2009, and one they used to play in their 35 anniversary shows (and before), so I recognized it right away and even sang what I remembered. A heartfelt and tender track full of love. 'No puedo ser lo que no quiero ser' is another rework, taken from their 1994 release 'De todos uno'.

The album finishes with 'Ejecución con final feliz' which is a nice fast-tempo track with a sound full of joy, so yeah, it represents its title.

There are two bonus tracks which are covers. First 'Fanrarria olímpica México 1968' originally composed by Carlos Jiménez Mabarak for the Olympic Games in Mexico; and then 'Storia o leggenda', original by Italian prog legends Le Orme. Both of them are very nice renditions.

Don't know if they plan to make new music as a duo, or if Baldovinos or Ortegón would comeback, but in the meantime, this is a nice album that can be appreciated by the band's fans.