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BIG BANG THEORYStyxProg Related |
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STYX with this tribute album does not show the way I expect. First, there is no much different from the original version. Take example the opening track "I Am The Walrus" it does not sound different from The Beatles version, even it sounds worse. The other track is "Salty Dog" by Procol Harum (thanks GOD .. I've seen so many excellent reviews about Procol Harum by colleague collaborator Martin Vengadesan today - thank, mate!) which is not performed better than original recording. Second, this line- up of STYX does not carry the soul of Styx music I have heard in years. It's probably the unique vocal of Dennis De Young who is missing in this line-up. In a nutshell, I am not impressed at all with this album. It seems to me that this one is only released for commercial reason or probably a snob following RUSH who released "Feedback" that contained tribute to the legends as well.
However, there are good tracks that I can see it's worth listening to. The most rewarding one is the last track "Blue Collar Man" - the band's own song which has been completely rearranged and it sounds much better than the original version. If ypu ask me about the whole CD, this last track is the only one that intrigues me to have a spin. It's wonderfully rearranged! The other one worth listening to is Jethro Tull's "Locomotive Breath". Even though the arrangement is good but it does not show the soul of Styx music. This is different with the same song performed by Germany's power metal hero Helloween where they perform with the soul of the band.
How can I recommend you about this CD? Don't buy it. You'd better borrow your friend's CD collection. Unless, you are a completionist who wants to get a full collection of Styx album. In that case, you do not need to read my review at all. Keep on proggin' ..!
Peace on earth and mercy mild - GW



The unfortunate thing about this album was that the good songs were the ones I hadn't heard the originals of. I Am The Walrus did sound quite a lot like the Beatles, the vocals on Locomotive Breath and Manic Depression didn't do it for me, and I Can See For Miles and Find The Cost Of Freedom were nothing special. I was also disgusted with the remade Blue Collar Man; I've always loved the original, being a solid rocking tune, and this kind of softer version was a terrible way to end the album, in my opinion, when so many of the other songs were amazing. Can't Find My Way Home is a great song to kick the album with (not counting the first two), and the next five are songs I could listen to over and over. I have mixed feelings about Talkin' About The Good Times; still haven't quite decided what I think of it. Wishing Well was amazing, though, a truly solid end to a deliciously rocking album.
This is all coming from a rocker's point of view, someone who prefers 90125 to classic Yes. If you're more into true prog (which I love, just not as much as more hard-rock type progressive), I don't think this will be an album for you. But if you're able to look over the fact that these are covers, and by the new Styx as opposed to the old, I think you will enjoy this CD.

Before buying the album, came to Prog Archives and read the reviews, most of them talk about a less than average album, and complain about Dennis De Young not being in the band, I must say I don't miss Dennis at all, he is a great composer, but also responsible for some of the worst tracks as "Babe" or "Mister Robotto" and Lawrence Gowan is a great performer with a better voice.
So a few days ago decided to ignore the bad reviews and bought "The Big Bang Theory" and not disappointed at all, of course there are weaker songs, being that I don't expect anybody to play HENDRIX music just like he did, but STYX shows respect for the authors and adds some of their unique style.
Normally I review each and every track, but being that we are talking about covers, of well known songs, I will mention the ones that impressed me more:
The first one that caught my attention is "I Can See for Miles" being that they don't try to re- create the style of THE WHO, something too hard to do, but instead they add the complex chorals something in which STYX are champions and make an interesting track to listen.
Trying to recreate a song by a supergroup as "BLIND FAITH" is always a hard task, specially when the original singer is so unique as Steve Winwood, so instead of searching for a more similar ranged voice as James Young, the band went with Tommy Shaw, one of the few vocalists that gets better with the years, he's so different that nobody will compare them, and the whole band does a great job.
"A Salty Dog" has never been among my favourite tracks by PROCOL HARUM, but loved STYX'S version being that the entrance with Lawrence Gowan in the vocals is delightful and the guy has a better voice than Dennis who always sounded to nasal to my ears. The orchestration is wonderful and JY'S guitar is precise and if we add Todd Sucherman in the drums, they hit the nail right in the head.
"Locomotive Breath" is simply fantastic and "James Young" in the vocals is the perfect choice if you want to do a respectful tribute, the guy really adds everything you need to perform one of the best JETHRO TULL songe ever, being that making radical changes would be a sacrilege, very good version.
"Blue Collar Man" has always been a classic by STYX, but this slower version is one of the best, the details can be appreciated more, Tommy Shaw in the lead, supported by Lawrence Gowan and the whole band adding the trademark chorus are fantastic, the jazzy piano is the cherry on the top of the pie, strong closer.
Despite all the negative opinions I read, loved this album from start to end, its' always a pleasure to listen well known hits with the touch of STYX
Excellent addition for any Rock or Prog music collection so can't rate it with less tthan four stars.

Actually, there are some highlights. This version of 'I can see for miles' is even better than the original. Although the original by 'The Who' is a terrific song, this one is punchier and to the point, even if Tommy;s vocals could do with a bit more enthusiasm. And James Young actually sings a folk song 'It don't make sense you can't make peace (with Dennis DeYoung)' extremely well, does a great job on that one, and Lawrence Gowan tears through an exciting 'I don't need no doctor' and Tommy does a great job on 'Can't find my way home', another acoustic gem. But after these four songs, which all come near the start, comes a bunch of average generic rock songs.
The slide downhilll begins with 'One way out', which starts off kind of groovy, good guitar lick, but the whole song feels like average pub-rock, as do most of what follows. James Young kind of makes 'Locomotive Breath' his own, but it doesn't really shine. And 'Manic Depression' doesn't really work, while Tommy does a lifeless version of 'Summer in the city', one of the few songs on here I actually knew well. The best of the rest is probably 'Talkin' bout the good times', which actually sounds like a Styx song, even though they didn't write it. The song has a good groove and good vocal harmonies.
A bit disappointing, but hopefully better is around the corner. It may be worth three stars but I'm going for the 2 star option.
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