THIRD WARNING

This is the third album from the Italian musical project Archangel, founded by Gabriele Manzini (keyboards, flute and 'stun' guitar), known from the bands The Watch and Ubi Maior. I am only familiar with the debut album entitled The Akallabeth from 2007, on Prog Archives I wrote about this (in 2018): "If you like heavy prog and keyboard- oriented melodic rock, I'm sure that especially the fans of Ayreon and Uriah Heep will be pleased with the sound of Archangel, an album to discover, because this music deserves more attention!".

To be honest, I needed a few listening sessions to get into the music on this new Archangel album. Not only because it is far away from the 70s symphonic rock sound of Gabriele Manzini his former bands The Watch and Ubi Maior. But also because it is far away from the Heavy Prog on his first solo effort. To be more specific, in general Archangel delivers laidback prog, lots of atmospheres on the 8 compositions (between 3 and 11 minutes) are mellow. Especially Technological Anguish (slightly distorted vocals and tender piano runs, gradually more lush and dynamic with howling and heavy guitar work), Metal Into Brain (huge tension between dreamy and sumptuous parts, exciting organ solo in the end), The Last Days of Beauty (soundtrack-like music with wonderful work on piano and piano, pretty hypnotizing), Circle Of Life (atmospheric with tender vocals and a slow and intense synthesizer solo in the end) and The End Of The World (passionate vocals, soaring keyboards and finally a crying guitar solo, goose bumps).

The other three tracks showcases the more dynamic side of Archangel, as a balance to the mellow side. Thesis starts with a bombastic keyboard sound, soon blended with melancholical vocals, gradually the music shifts to a more dramatic sound, guitar riffs join, the final part contains a beautiful, very moving guitar solo. In the composition Storm Over St. Andrew's Curchyard first a dreamy climate with piano and soaring keyboards. Gradually the music turns into more lush, the contrast between the tender piano runs and the bombastic keyboard creates a huge tension. Then halfway a bombastic atmosphere featuring rock guitar and repetetive piano runs, topped with a swirling Hammond organ solo. Finally a slow rhythm with again a bombastic keyboard sound, that is what we are used to with Gabrielle Manzini his work in The Watch and Ubi Maior.

The captivating and exciting conclusion on this album is the epic composition When the Eagle Hung His Head, close to 11 minutes. It starts dreamy with wonderful interplay between a fragile guitar and tender piano, blended with soaring keyboards. Then a slow rhythm and a more dynamic atmosphere featuring emotional vocals and again tender piano runs, embellished with a harder-edged, intense guitar solo with howling and biting runs. Now the music shifts to mellow with tender piano. The dreamy vocals gradually turns into very emotional, followed by sparkling piano work. Halfway again The Archangel succeeds to create a lot of tension in the music, now due to interplay between flute and rock guitar. After a dreamy part that contains flute, piano and melancholical vocals Gabrielle Manzini treats us on powerful Hammond organ, dazzling synthesizer runs and majestic Mellotron. This is part of a compelling atmosphere, topped with a short howling guitar solo and emotional vocals, what a conclusion!

Gabriele Manzini and his outstanding guest musicians have delivered a very fine album, embellished with wonderful, often intense work on guitar and keyboards, emphasizing the important element emotion on Third Warning.

ARCHANGEL almost unknown to me until I knew the keyboardist of THE WATCH was behind it: There I will see, listen since I read heavy prog, it kicks me: Well let's be clear, his last baby is not heavy but of course symphonic neo prog, but not an ersatz again and again, a good album, very sensitive and addicting.

From the start I was stunned, it's fresh, cheerful, it's energetic and well-worked to put me even more on the sofa; I find there airs to ALAN PARSONS PROJECT. In 'The Last Days of Beauty', title chained, I note this high-quality symphonism which makes you leave, dream. With 'Thetis' we land on a piece where the instruments are well highlighted; it's soaring, majestic, Stefano Mancarella's guitar solo is one of the most beautiful heard recently. On 'The End of the World' we mainly have the place of neo keyboards. An immense title 'Storm over St. Andrew's Curchyard' also linked together gives all the combined value of the neo-symphonic, bombastic without being overdone. The rise is divine, the neo sound far from the RPI, we have keyboards in the 2nd part on moving biniou, the nice surprise. 'Circle of Life' falls into the Genesis aura, a soft, intimate, romantic and melancholy title but with its own stamp. As for 'When the Eagle Hung His Head', an epic long sequel to the intro reminding me of the best hours of BARCLAY JAMES HARVEST, this is the moment that confirms that you are not on a lambda record: everything is there for make you pass dreamlike 12 ', bathed between the expressive voice and its keyboard, in solo piano mode for a while, in symphonic mode at the end; it stretches a little but it allows to take a little resistance to swallow this grandiloquent title.

ARCHANGEL released an album that fits directly into my top bis, much better than the last CORVAGLIA yet already very nice to read. Here there is a more palpable, more symphonic, progressive musical emotion, the little extra that makes you stop breathing, that makes you on the lookout, that makes you think about this damn dead prog that still lives beautifully with albums by this tempering; a very good one!