ORIGIN OF SPECIES

The Sci-Fi epic articulating this album is well-known (and has the undoubtful merit of every lucid warning): Our planet on the verge of ecological disaster, ill-advised decision "to establish control over all networks and computers on Earth" seeking equilibrium, protagonist escapes from the resultant world domination, and he/she gets back with a revolution. What can I say? C'mon people, I saw Logan's Run when I was fifteen, and it was as fine as it was enough! Besides, one (having every right) may reasonably expect to listen to a piece of music more than once, and knowing the plot doesn't help.

The music itself is good, however: great drumming by the legendary Simon Phillips in his best prog-fusion style, and nice sax soloing in that same vein. Really accomplished vocals ranging from AOR to Hard-Rock by bassist Matt Bissonette, in a style reminding of Joe Lynn Turner, blending nicely with the instruments. Very good electric & acoustic guitar interventions, and yet, some moments of heavy riffing sound a bit cliché, even dated nowadays. And, last but not least, the sinergy of piano, string section and flute adds much value for the prog ear.

Final word of advise: Listen to the warning, forget the story, sit down & enjoy.

Now, I only have a digital download, so you need to bear with me a little on this. According to the research I have undertaken, this concept double album comes with a graphic (comic) layout which also tells the story. It's roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. "Day Zero" has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind's greatest challenges.

DarWin himself provided the songs and some guitars, and from what I can ascertain is based in Iceland. This project started when he contacted famed drummer and producer Simon Phillips to undertake some recording, and then over time they brought in bass player and singer Matt Bissonette and there are also performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley). It is an ambitious project, and the website is also massively over the top and worth investigating to get some idea of scale.

But, first and foremost this may have an incredibly important story to tell (even there seem to be some important politicians in the world who forego scientific evidence and feel there is no such thing as climate change), but musically this is one hell of an album. Progressive, melodic, rock, this takes all of these elements and wraps them into the story so people will be singing this without realising just how important this is. It feels fresh, it feels inviting, and with Phillips at the back it is always being driven in the right direction. This is another album which invites the listener deep inside, deep into the thought processes of DarWin, moving from frantic riff and hook-driven rock into melodic and orchestral with nary a pause for breath. It is exciting, invigorating (and long, very long), yet the listener feels refreshed by playing this. This isn't an album to be dipped in and out of, nor something for the background, as it refuses to stay there but always moves forward and demands close attention. It is to be savoured, enjoyed, discovered, loved.

I may not have seen the full package, but the music has grabbed me since I first heard it, and overall this must be some release. Highly recommended