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STRANGE AND BEAUTIFULCrimson GloryProgressive Metal |
From Progarchives.com, the ultimate progressive rock music website


"Strange And Beautiful" is rather a Midnight soloalbum than a CG album. The songs are mostly acoustic ones, sometimes very pleasant to listen to them, but that's all. Commercial, uninspired, lack of direction, dull ballads: these are the words come into my mind when I listen to this stuff. If you enjoy albums of a high standard from the early 90s from AOR/hard rock/glam bands (the best example: "Pull" from Winger), then you can give it a chance.
Highligts: Deep Inside Your Heart, In The Mood, Promise Land
5.5/10


Essentially, this album is all about Midnight. Since the screaming leads are gone and the rhythm section has been twisted, only Midnight still shines. However, he has reeled in his King Diamond high voice, which has its pros and cons. The piercing falsetto can be annoying occasionally, yet it defined him and was one of the signatures of the band. He manages well in the lower register, and he delivers some of his best performances. Promise Land, In the Mood, and Starchamber are the highlights, and they are some of the band's best songs. However, the rest of the songs range from good to unlistenable, making this a patchy effort.
This is where CG went downhill. They only managed one more studio album (without Midnight) before folding, though they are back now (still without Midnight) and working on a new release. Only fans should try this out, because there are a few very good tunes, but the rest encourages you to save your money.
Grade: D

It´s not only in the lineup department that there have been changes, because stylistically "Strange And Beautiful" is far removed from the US power/heavy metal style of the band´s two previous albums. Maybe the lineup changes paved the way, or maybe Crimson Glory just felt it was time to try something completely different, because the music on "Strange And Beautiful" is a mix of hard rock, glam metal, and the occasional nod towards progressive rock/metal. Midnight´s otherwise distinct sounding high pitched vocal style has changed too. On this album he sings more in mid-range and he at times actually sounds a bit like Axl Rose (Guns N' Roses).
The 11 tracks on the 59:09 minutes long album are as such well written viewed from a technical perspective, and the high level musicianship also ensures that there is quality in that department, but the songwriting is a bit of a mish mash of different styles, which don´t really fit that well together and makes for an incoherent listen. The album includes futuristic synths, plastique horn keyboards, cheesy male/female choirs/backing vocals, saccarine ballads like "Song for Angels" and "Far Away", and semi-funky hard rock/heavy metal tracks like "Dance On Fire" and "Make You Love Me" (which reminds me a bit of a poor man´s Extreme). The only two tracks which are somewhat decent are the two opening tracks (the title track and "Promise Land"). From there it goes downhill...
"Strange And Beautiful" reeks of a band who have lost their way. It sounds like a weak attempt at trying to gain a commercial breakthrough. An attempt which failed badly and instead left us with a directionless and occasionally quite tasteless mess of an album. The critics gave it a cold reception, and the fans generally loathed it. As mentioned above the professional musicianship and a clear and detailed sounding production save "Strange And Beautiful" from complete failure, but it´s overall not a very successful release and considering the two releases which preceded it, it´s a huge disappointment. A 2.5 star (50%) rating is warranted.
(Originally posted on Metal Music Archives)

Neither strange nor beautiful, just bad.
With the departure of a guitarist, an essential of the band, and not to be replaced to further the damage and change in drummer started things off negatively right off the bat. The vocalist does not do a good job either, he loses most of his energy (high soprano) in substitution for a more laid back sound which oddly enough sounds like Guns N' Roses frontman Axl Rose.
The music suffers incredibly due to these negative features. Most of the songs just sound like ballad after ballad. Just mostly simple riffs and acoustic patterns just producing a bad album all in all.
Not really recommended to anyone, the line-up changes really did this band in.

"Starchamber" would have been at home on Transcendence. It is unfortunate that the band did not explore this sound more on Strange and Beautiful. It really is the only prog metal song on the album, and while the lyrics deal with sex, as do most on the album, Midnight uses space metaphors that aren't cringe inducing. It is also one of the few songs that doesn't conform to a pop rock format. There is a nice psychedelic intro, melodic verses and chorus, and an upbeat solo section that seques into another psychedelic bridge which mirrors the intro.
The first two songs on the album seem to be exploring the Led Zeppelin clone fad which was going on at the time (Kingdom Come, etc). "Strange And Beautiful" has some interesting guitar playing, but the lyrics are just awful. "Promise Land" has some tribal drumming (think Saigon Kick), before kicking into Zep clone territory again. Both songs are good hard rock songs, but they are not prog in the least.
The single from the album, "The Chant," is a genric pop metal song. It might have been a radio hit for another band, but it just doesn't work for CG.
"In The Mood" is a really interesting song. It has a world music vibe which I think the band should have explored more, since they were obviously not interested in making prog metal anymore. This song and "Starchamber" make the album worth exploring.
The rest of the album is rounded out be competent hard rock songs and ballads that are really catchy. So, if you like straight forward hard rock with metal flourishes, this might be your ticket. You should definitely pick it up if you find it used or at a discount for the "Starchamber" track.

Sadly, Crimson Glory's attempt at remaining relevant didn't go over too well, with the band's sound taking a bit of a hybrid hair metal/grunge turn. It reeks of early 90's rock, reminiscent of bands like Extreme or Ugly Kid Joe, but still maintaining their own distinctive style of riffing. But there's so many things here that just didn't stick well with fans.
There's more "chants" and big chorus's with female backing vocals, there's organs, tribal drums, even a bloody saxophone solo! Then there's a brief musical passage in the song 'Starchamber' that sounds almost identical to the chorus of 'Kid Ego' by the aforementioned Extreme. It's always great to see a band experiment with their music, but sometimes it just doesn't work out for the better, and in 1991, this could just have easily been considered desperation to adapt, as opposed to a genuine desire to try new things.
It's all a moot point either way, because unless you were Metallica or Guns 'n' Roses at that time, you were pretty much screwed.
It's all not bad though, songs like 'The Chant' (which is actually an awesome tune), 'In the Mood', 'Strange and Beautiful', 'Promise Land' and 'Love and Dreams' are all fairly good and catchy pieces that makes this album worth looking out for if you're a fan of the band, but certainly nothing of any real importance is on offer here.
Overall, 'Strange and Beautiful' was never going to win over any new fans, but it's certainly an interesting release. Some of the songs can tend to drag at times, but for the most part, it's a decent effort. Sadly, it signalled the end of Crimson Glory's run as a legit band, as, other than a brief comeback album in 1999, the band have done nothing of relevance since.
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